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A stirring novel of war, race and belonging from the Nobel-prize winning author of Beloved.
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- 8,99 €
Descrição da editora
Frank Money returns from the Korean War to a segregated America that refuses him rest.
When he learns that his sister Cee is in danger, Frank is forced to confront both the past he has tried to bury and the responsibility he has long avoided.
As Frank revisits the memories from childhood and the war that leave him questioning his shattered sense of self, he unearths the courage he thought he'd lost forever. It is with incantatory power that Morrison's language reveals an apparently defeated man finding his manhood - and, finally, his home.
'No other writer in my lifetime, or perhaps ever, has married so completely an understanding of the structures of power with knowledge of the human heart' Kamila Shamsie, Guardian
PUBLISHERS WEEKLY
In Pulitzer and Nobel Prize winner Morrison's immaculate new novel (after A Mercy), Frank Money returns from the horrors of the Korean War to an America that's just as poor and just as racist as the country he fled. Frank's only remaining connection to home is his troubled younger sister, Cee, "the first person ever took responsibility for," but he doesn't know where she is. In the opening pages of the book, he receives a letter from a friend of Cee's stating, "Come fast. She be dead if you tarry." Thus begins his quest to save his sister and to find peace in a town he loathed as a child: Lotus, Ga., the "worst place in the world, worse than any battlefield." Told in alternating third- and first-person narration, with Frank advising and, from time to time, correcting the person writing down his life story, the novel's opening scene describes horses mating, "heir raised hooves crashing and striking, their manes tossing back from wild white eyes," as one field over, the bodies of African-American men who were forced to fight to the death are buried: "...whatever you think and whatever you write down, know this: I really forgot about the burial. I only remembered the horses. They were so beautiful. So brutal." Beautiful, brutal, as is Morrison's perfect prose.
