Descrição da editora
FROM THE BOOKER PRIZE-WINNING AND WOMEN'S PRIZE SHORTLISTED AUTHOR OF THE SILENCE OF THE GIRLS
The first novel in Pat Barker's acclaimed 'Life Class' trilogy - an unforgettable story of art and war, from one of our greatest writers on war and the human heart
'Triumphant, inspiring, shattering' The Times
Spring, 1914. The students at the Slade School of Art gather in Henry Tonks' studio for his life-drawing class. But for Paul Tarrant the class is troubling, underscoring his own uncertainty about making a mark on the world. When war breaks out and the army won't take Paul, he enlists in the Belgian Red Cross just as he and fellow student Elinor Brooke admit their feelings for one another. Amidst the devastation in Ypres, Paul comes to see the world anew - but have his experiences changed him completely?
'Barker writes as brilliantly as ever . . . With great tenderness and insight, she conveys a wartime world turned upside down' Independent on Sunday
'Masterly, gripping' Penelope Lively
'Extraordinarily powerful' Sunday Telegraph
The Life Class trilogy:
Life Class
Toby's Room
Noonday
PUBLISHERS WEEKLY
Set initially in 1914 before the start of WWI, Barker's first novel since 2004's Double Vision tells the story of two students at London's Slade School of Fine Art, Paul Tarrant and Elinor Brooke, along with that of Kit Neville, a promising young painter. Paul begins an affair with Teresa Halliday, a troubled artist's model, and Kit woos Elinor, but both men rush off to the Continent at the outset of hostilities to work with the wounded. The author's unflinching eye for detail and her supple prose create an undeniably powerful narrative, but her skills cannot compensate for a weak plot. What appear to be critical story lines (Paul's affair with Teresa, Kit's painting career) are almost abandoned once Paul and Elinor become lovers. And the book's main theme war's impact on art and love pales in comparison with the tragic experiences of those who fight and die in the conflict. Despite riveting passages depicting the waste and horror of WWI, this effort falls short of the standard set by Barker's magisterial Regeneration trilogy, the last of which, The Ghost Road, won the Booker Prize.
