Mudwoman
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- 9,99 €
Descrição da editora
A haunting new novel from Joyce Carol Oates.
Mudgirl is a child abandoned by her mother in the silty flats of the Black Snake River. Cast aside, Mudgirl survives by an accident of fate – or destiny. She is adopted by a Quaker family, and begins to suppress those painful memories.
Meredith ‘M.R.’ Neukirchen is the first woman president of a prestigious Ivy League university whose commitment to her career and moral fervor are all-consuming. But with an emergent political crisis and a prolonged secret love affair, M.R. has to confront challenges to her professional leadership which test her in ways she could not have expected. The fierce idealism and intelligence that delivered her from a more conventional life in her hometown now threaten to undo her.
When she makes a trip upstate, M.R. Neukirchen is thrust into an unexpected psychic collision with Mudgirl and the life M.R. believes she has left behind. A powerful exploration of the enduring claims of the past, Mudwoman is at once a psychic ghost story and the heartbreaking portrait of an individual who breaks – but finds a way to heal herself.
Reviews
Praise for ‘Mudwoman’:
‘Oates is the most agile and effective of poets, able to pin down a moment while never compromising on pacing or atmosphere … Oates is a dangerous writer in the best sense of the word, one who takes risks almost obsessively with energy and relish. For a writer in her early 70s, she continues to be wonderfully, unnervingly anarchic, experimental, angry. As if her aim were not to satisfy or entertain – though she always does both – but to do the vandalistic prose equivalent of spray-painting or setting fire to bins in public parks.’ New York Times
‘There is no mistaking a Joyce Carol Oates story for anyone else’s… Not just their virtuosity, but also their aura of menace makes them hers… We think of Oates, like Poe, as a master of terror, but her real mastery is in almost never depicting a strong emotion in isolation… Oates [is]… a fearless experimenter forcing the reader ahead of her at knifepoint’ Los Angeles Times
About the author
Joyce Carol Oates is a recipient of the National Book Critics Circle Ivan Sandrof Lifetime Achievement Award, the National Book Award, and the PEN/Malamud Award for Excellence in Short Fiction, and has been nominated for the Pulitzer Prize. Her books include We Were the Mulvaneys; Blonde, which was nominated for the National Book Award; and the New York Times bestseller The Falls, which won the 2005 Prix Femina. She is the Roger S. Berlind Distinguished Professor of the Humanities at Princeton University and has been a member of the American Academy of Arts and Letters since 1978. In 2003 she received the Commonwealth Award for Distinguished Service in Literature, and in 2006 she received the Chicago Tribune Lifetime Achievement Award. Her recent work of non-fiction on grief and bereavement, A Widow’s Story was a critically-acclaimed success.
PUBLISHERS WEEKLY
Oates begins her 38th novel with a nod to Nietzsche ("What is man? A ball of snakes") that lies at the mud-caked heart of this tale of the rise and stumbling fall of M.R. Neukirchen, a brilliant academic whose childhood starts in the mudflats of the Black Snake River, where she is abandoned in 1965. But by 2002, M.R. has reached the top of the ivory tower. After a full ride to Cornell, and a Ph.D. from Harvard, she is now, at 41, the first female president of another Ivy institution. M.R.'s ambitious plans include upending the patriarchy and increasing diversity on campus, but both prove difficult in the post-9/11 "era of Patriotism' " as the U.S. prepares to invade Iraq. M.R.'s identity, idealism, and sanity are all threatened as she wades through obstacles, including sabotaging right-wing colleagues and students. Though she has never considered herself the victim of sexism, M.R. must confront her gender when it becomes the lens through which her leadership is judged. Likewise, the philosophical question she has dedicated her career to answering what is the self? must be turned inward. Oates's prose, dominated by run-on sentences to imitate fury or swiftness and a colloquial voice lacking nuance, is uninspired, but fans will relish the depth of this inquiry.