The Broken Girls
The chilling suspense thriller that will have your heart in your mouth
-
- 1,99 €
Descrição da editora
THEY WON'T FORGIVE. THEY WON'T FORGET.
'Clever and wonderfully chilling. It held me hostage' - Fiona Barton, Sunday Times-bestselling author of The Widow and The Child
'A brilliant page-turner' Jenny Quintana, author of The Missing Girl
1950 - At the crumbling Idlewild Hall school for unwanted girls, four room-mates begin to bond over dark secrets and whispered fears - until one of them mysteriously disappears . . .
2014 - Journalist Fiona Sheridan can't get over the murder of her sister twenty years ago, near the ruins of Idlewild. And when another body is found during renovations of the school, she begins to uncover horrors that were meant to remain hidden - and a voice that won't be silenced.
For fans of Lisa Jewell and S.K. Tremayne, The Broken Girls is a chilling story of murder, revenge, and secrets that refuse to stay buried . . .
'Dark and atmospheric . . . The Broken Girls shows the gothic claustrophobia of a small town haunted by more than its past' Harriet Tyce, author of Blood Orange
'Downright scary and atmospheric' - Lisa Gardner, author of Right Behind You
PUBLISHERS WEEKLY
St. James (Lost Among the Living) graduates to hardcover with this creepy supernatural thriller set in small-town Vermont. In 2014, journalist Fiona Sheridan's interest in finding out the truth about her sister's murder which occurred 20 years earlier near Idlewild Hall, an abandoned girls' boarding school is revived by the news that the property is being restored by a mysterious out-of-towner. Fiona's boyfriend and the police in his family, however, don't want her digging too deep. Flashback to 1950, when four roommates at Idlewild build deep friendships while dealing with the sinister presence of Mary Hand, a veiled ghost whom generations of students claim haunts the garden where her dead baby is buried. Mary is a pervasive but subtle influence who makes everyone in both eras feel "so horribly afraid." All the characters must also cope with human-produced horrors such as torture and neglect. The two story lines converge on a satisfyingly settled if unhappy ending. Readers will want to see more in this vein from St. James.
