The Flamethrowers
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- 8,99 €
Descrição da editora
FROM THE MAN BOOKER PRIZE SHORTLISTED AUTHOR OF THE MARS ROOM
SHORTLISTED FOR THE FOLIO PRIZE 2014
LONGLISTED FOR THE BAILEYS WOMEN'S PRIZE FOR FICTION
Reno mounts her motorcycle and sets a collision course for New York.
In 1977 the city is alive with art, sensuality and danger. She falls in with a bohemian clique colonising downtown and the lines between reality and performance begin to bleed.
A passionate affair with the scion of an Italian tyre empire carries Reno to Milan, where she is swept along by the radical left and drawn into a spiral of violence and betrayal.
The Flamethrowers is an audacious novel that explores the perplexing allure of femininity, fakery and fear. In Reno we encounter a heroine like no other.
Best Books of the Year:
* Guardian * New York Times * The Times * Observer * Financial Times * New Yorker * Telegraph * Slate * Oprah * Vogue * Time * Scotsman * Evening Standard *
Shortlisted for the National Book Awards 2013
PUBLISHERS WEEKLY
This rich second novel from Kushner (Telex from Cuba) takes place in late-'70s New York City and Italy. Reno is a young filmmaker "shopping for experiences," who, as the novel opens, is attempting to set a land-speed record on her Moto Valera motorcycle in Nevada, only to crash instead. A flashback to New York finds her mixing with a group of artists, among whom she meets Sandro Valera, whose wealthy family manufactures the Moto Valera. Soon they are romantically entwined, and Reno accompanies Sandro on a visit home to Italy. She risks alienating the Valeras by going to their factory to film labor unrest, only to catch Sandro there in flagrante delicto with his cousin Talia. Distraught, she flees with Valera family servant Gianni to Rome, where she discovers Gianni is involved with a volatile protest movement. Snippets from the life of Sandro's father's run in intriguing contrast to Reno's story, presenting his WWI experiences, childhood in Alexandria, Egypt, and the founding of his company. Kushner's psychological explorations of her characters are incisive, the novel is peppered with subtle '70s details, and it bursts with you-are-there depictions of its time and places.
