The Fourth Bear
A Nursery Crime
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- 8,99 €
Descrição da editora
NEW YORK TIMES BESTSELLER • Enter the seedy underbelly of nursery crime, where characters are never as they seem, in this “brilliantly, breathlessly odd” (USA Today) novel from the renowned author of The Big Over Easy and the Thursday Next series.
“Like the best novels of Douglas Adams or Terry Pratchett, Fforde goes beyond his genre.”—Los Angeles Times Book Review
“Jasper Fforde is able to write diabolically. . . . Outrageous satirical agility is his stock in trade.”—The New York Times
Detective Jack Spratt and Sergeant Mary Mary long to collar the Gingerbreadman—psychopath, sadist, criminal genius, cookie—who’s at large in Reading. Instead, they’re demoted to searching for missing journalist Henrietta “Goldy” Hatchett. The last witnesses to see her alive were the reclusive three bears, and Jack thinks something’s odd about their story. How could that porridge be too hot, too cold, and just right if it was poured at the same time?
The question is: was there a fourth bear?
PUBLISHERS WEEKLY
Like The Big Over Easy (2005), Fforde's first Nursery Crime novel, this sequel offers literary allusions, confusions and gentle satire, though, again like its predecessor, it lacks the snap of the author's Thursday Next series (The Eyre Affair, etc.). Jack Spratt, DCI of the Nursery Crime Division of the Reading Police Department, is also a PDR (Person of Dubious Reality), as are most of the characters Jack deals with, including the Gingerbreadman, a notorious killer, and Punch and Judy, a violence prone couple who are also marriage counselors. An alien policeman named Ashley, talking bears, a devoted group of cucumber-growing enthusiasts and an immensely powerful company, Quang Tech, add spice. All are grist for Fforde, whose word play runs the gamut from puns to shaggy dog stories. The Gingerbreadman's on the loose, Goldilocks is missing and Jack's once again persona non grata at headquarters. As Jack and his associates "bring justice to the nursery world," they also cast a Swiftian eye on corporate hubris, race relations, the drug trade and myriad other targets.
