Transition
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- 5,99 €
Descrição da editora
A world that hangs suspended between triumph and catastrophe, between the dismantling of the Wall and the fall of the Twin Towers, frozen in the shadow of suicide terrorism and global financial collapse, such a world requires a firm hand and a guiding light. But does it need the Concern: an all-powerful organisation with a malevolent presiding genius, pervasive influence and numberless invisible operatives in possession of extraordinary powers?
On the Concern's books are Temudjin Oh, an un-killable assassin who journeys between the peaks of Nepal, a version of Victorian London and the dark palaces of Venice; and a nameless, faceless torturer known only as the Philosopher. And then there's the renegade Mrs Mulverhill, who recruits rebels to her side; and Patient 8262, hiding out from a dirty past in a forgotten hospital ward. As these vivid, strange and sensuous worlds circle and collide, the implications of turning traitor to the Concern become horribly apparent, and an unstable universe is set on a dizzying course.
PUBLISHERS WEEKLY
Banks's latest novel opens with a warning from "Patient 8262" stating that he or she is an unreliable narrator, before the epic takes off, plunging the reader into a whirlwind of intricately constructed characters and detailed accounts of their experiences as they "flit" across multiple Earths. The cast of characters include Adrian, the greedy city trader, emblematic of the selfishness needed to become a "traveler"; the Philosopher, an assassin who despises killing; a catch-me-if-you-can rogue operative named Mrs. Mulverhill; and the imperious Madame d'Ortolan, possibly the leader of the Concern, a vast multi-world organization that claims to protect worlds from chaos, but may also hide a greater, darker purpose. Banks's prose is elegant and electric and his story dizzying, but inevitable contradictions are brilliantly tied together-the only way many characters maintain sanity is to question everything, and readers would be well-advised to do the same. Banks manages the neat feat of synthesizing 19th-century style with the cutting edge, the irreverent with the philosophical, and the intellectual with the adventurous.
