Age of Myth
Book One of The Legends of the First Empire
-
- USD 6.99
-
- USD 6.99
Descripción editorial
One of fantasy’s finest next-generation storytellers continues to break new ground.
Michael J. Sullivan’s trailblazing career began with the breakout success of his Riyria series: full-bodied, spellbinding fantasy adventures whose imaginative scope and sympathetic characters won a devoted readership and comparisons to fantasy masters Brandon Sanderson, Scott Lynch, and J.R.R. Tolkien himself. Now Age of Myth inaugurates an original five-book series.
Since time immemorial, humans have worshipped the gods they call Fhrey, truly a race apart: invincible in battle, masters of magic, and seemingly immortal. But when a god falls to a human blade, the balance of power between humans and those they thought were gods changes forever.
Now only a few stand between humankind and annihilation: Raithe, reluctant to embrace his destiny as the God Killer; Suri, a young seer burdened by signs of impending doom; and Persephone, who must overcome personal tragedy to lead her people. The Age of Myth is over. The time of rebellion has begun.
Magic, fantasy, and mythology collide in Michael J. Sullivan’s Legends of the First Empire series:
AGE OF MYTH • AGE OF SWORDS • AGE OF WAR
PUBLISHERS WEEKLY
The first volume in Sullivan's prequel series, set 3,000 years before his Riyria epic fantasy books, is an uneven effort that peters off after an intriguing opening. In "the days of darkness before the war," men live in fear of the Fhrey, gods who reside across the Bern River. Raithe of the Dureyan clan and his father, Herkimer, have ventured onto the gods' lands, crossing the forbidden river in search of a place to live, farm, and hunt. Their trespass is quickly detected, and they're confronted by an immortal. After Herkimer refuses to surrender a cherished family sword, the confrontation turns violent, the god kills Herkimer, and Raithe avenges his father's death by slitting the god's throat. He's shocked that the immortal does not recover from the wound, and the ramifications of a man actually having killed a god drive the rest of the plot as the Fhrey begin a campaign of revenge. The bloodshed and political machinations are mild by grimdark fantasy standards, and the occasional modern phrasing is jarring.
