It Is Wood, It Is Stone
A Novel
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- USD 3.99
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- USD 3.99
Publisher Description
“A lush depiction of privilege and power, sex and stability . . . following three women in São Paulo . . . It Is Wood, It Is Stone is an elegant arrival of a new talent.”—Elle
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Good Housekeeping • Marie Claire • Harper’s Bazaar • Publishers Weekly
With sharp, gorgeous prose, It Is Wood, It Is Stone takes place over the course of a year in São Paulo, Brazil, in which two women’s lives intersect.
Linda, an anxious and restless American, has moved to São Paulo, with her husband, Dennis, who has accepted a yearlong professorship. As Dennis submerges himself in his work, Linda finds herself unmoored and adrift, feeling increasingly disassociated from her own body. Linda’s unwavering and skilled maid, Marta, has more claim to Linda’s home than Linda can fathom. Marta, who is struggling to make sense of complicated history and its racial tensions, is exasperated by Linda’s instability. One day, Linda leaves home with a charismatic and beguiling artist, whom she joins on a fervent adventure that causes reverberations felt by everyone, and ultimately binds Marta and Linda in a profoundly human, and tender, way.
An exquisite debut novel by young Brazilian American author Gabriella Burnham, It Is Wood, It Is Stone is about women whose romantic and subversive entanglements reflect on class and colorism, sexuality, and complex, divisive histories.
PUBLISHERS WEEKLY
Burnham's captivating debut is told in a surprisingly seamless second person. Linda, the narrator, tells her husband, Dennis, about the year the American couple spent in Brazil, after Dennis was awarded an academic appointment at the University of S o Paulo. There, after weeks of hapless depression, Linda is invigorated when she meets an enticing woman named Celia (a person who uses "romance as gunpowder") in a bar. Later, she returns home, giddy with desire for Celia, and destroys Dennis's favorite suit, the anxious logic of this action meted out by Burnham with painstaking clarity. At her most gawky and strange, Linda is reminiscent of a character out of Clarice Lispector's oeuvre. Observant and obsessive, Linda feels the pulse of desire ("No matter how steady I trained my mind to be, my body reigned over all"). Throughout is the mysterious presence of Dennis and Linda's S o Paulo housekeeper, Marta, whose competence intimidates Linda. Burnham dazzles by exploring the overlapping circles of need and care though tensions of race, privilege, sexuality, history, and memory. Thanks to Burnham's precise, vivid understanding of her characters, this stranger-comes-to-town novel has the feel of a thriller as it illuminates the obligations of emotional labor. Burnham pulls off an electrifying twist on domestic fiction.
