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Essays on Writing, Hoop, and American Lives 1975–2025
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- USD 14.99
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- USD 14.99
Descripción editorial
The first ever collection of John Edgar Wideman’s most influential essays and articles, five decades of cultural and literary criticism that paint a vivid portrait of America’s changing landscape and chronicle the emergence and evolution of a major presence in fiction.
“A towering figure in American literature.” —The Nation
John Edgar Wideman, acclaimed since the early 1970s for his award-winning fiction and memoirs, has long been engaged in a project to redefine, from the perspective of an American of color, the wondrous and appalling power of his country’s literary culture and history. Now, curated by him, in this first-time collection from his extensive body of long-form journalism and biographical essays, readers are offered a chance to see and judge for themselves how Wideman has proven himself to be a luminous witness of America’s history.
This volume goes beyond mere compilation; its challenging, insightful critical essays tell the story of a nation in transition—from the shame of legalized human slavery, to the Civil Rights Movement, to the rise of the Obama era, and beyond. Originally featured in publications such as Esquire, Vogue, and The New Yorker, these narratives explore the elusive cores of an American culture, politics, and identity. With his unique depictions of iconic figures such as Zora Neale Hurston, Malcolm X, Spike Lee, Emmett Till, and Michael Jordan, and intimate questioning of his own life, Wideman shares his original views of the changing tides of an American experience.
PUBLISHERS WEEKLY
Novelist, essayist, and critic Wideman (Slaveroad) delivers a profound, career-spanning collection of essays on literature, sports, and culture. Early entries consist largely of critical analyses of writings by Charles W. Chesnutt, Richard Wright, and W.E.B. Du Bois, with Wideman declaring in one: "Like Freud's excavations of the unconscious... Du Bois's insights have profoundly altered the way we look at ourselves." The essays become increasingly personal over time; Wideman imbues his passion for basketball into the 1990 piece "Michael Jordan Leaps the Great Divide," which explores how the NBA player's success challenged racial and societal norms. Wideman has been observing societal fault lines for decades, writing more than 50 years ago that "as a society we seem to be systematically eliminating the middle ground between extremes." Tragedy and trauma inform many of these pieces, including "Looking at Emmett Till," in which Wideman argues that the brutal 1955 lynching of the 14-year-old "was an attempt to slay an entire generation." Incisive and enthralling, the collection puts Wideman's keen critical eye and cultural awareness on full display. The result is an essential chronicle of the American experience.