Putting Myself Together
Writing 1974–
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- USD 15.99
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- USD 15.99
Publisher Description
My ignorance was on my side. I wasn’t afraid. I didn’t know what to be afraid of. I did one thing, I did another. I did what I now call crashing about. One day I started to write.
This collection of Jamaica Kincaid’s nonfiction writing, including early pieces from publications such as The New Yorker, The Village Voice, and Ms., proves what her admirers have always known: from the start, she has been a consummate stylist, and she has always been herself.
From “Jamaica Kincaid’s New York,” which narrates her move to the city from Antigua at the age of sixteen and a half, to the classic “Biography of a Dress,” her cultural criticism, and her original thinking about the meaning of the garden, Kincaid writes about the world as she finds it, imparting her own quizzical, rapier-sharp response to whatever crosses her path.
Putting Myself Together is a brilliant, trenchant, hilarious self-portrait of the artist and a testament to how this inimitable, self-created mind and spirit, endowed with wit, humor, and fearlessness, has become one of our greatest, most original writers.
PUBLISHERS WEEKLY
Novelist Kincaid (See Now Then) artfully touches on nature, womanhood, race, and identity in this stunning collection. In several essays, she pays tribute to her Antiguan American heritage and the women in her family who shaped her sense of self. For instance, in "Antigua Crossings," Kincaid draws an analogy between the unpredictable, inviting, dangerous, and beautiful Carribean Sea and how she felt at age 12 about "all the women" in her family. In "Biography of a Dress," she reflects on the lengths her mother went to in order to provide for her family despite economic restrictions and racial disparities, remembering a prevailing look of exhaustion in her mother's face that she, as a child, was too naive to recognize. Elsewhere, Kincaid meditates on The Second Sex by Simone de Beauvoir ("I will never read it again") and on her garden, a place she loves "very much—not as a refuge from all that is troubling and confounding about that general thing called life, but because all that is troubling about it, all that is confounding about it, is the source for me of multiple pleasures." Kincaid's cutting prose shines, and the collection makes for a marvelous account of the author's life and career. This is a triumph.
