Run, Swim, Throw, Cheat
The science behind drugs in sport
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- USD 13.99
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- USD 13.99
Publisher Description
Drugs in sport are big news and the use of performance-enhancing drugs in sport is common. Here, Chris Cooper, a top biochemist at the University of Essex, looks at the science behind drugs in sport. Using the performance of top athletes, Cooper begins by outlining the limits of human performance. Showing the basic problems of human biochemistry, physiology, and anatomy, he looks at what stops us running faster, throwing longer, or jumping higher. Using these evidence-based arguments he shows what the body can, and cannot, do. There is much curiosity about why certain substances are used, how they are detected, and whether they truly have an effect on the body. Cooper explains how these drugs work and the challenges of testing for them, putting in to context whether the 'doping' methods of choice are worth the risk or the effort.
Exploring the moral, political, and ethical issues involved in controlling drug use, Cooper addresses questions such as 'What is cheating?', 'What compounds are legal and why?', 'Why do the classification systems change all the time?', and 'Should all chemicals be legal, and what effect would this have on sport?'. Looking forward, he examines the recent work to study the physical limitations of rat and mice behaviour. He shows that, remarkably, simple genetic experiments producing 'supermice' suggest that there may be ways of improving human performance too, raising ethical and moral questions for the future of sport.
The paperback includes a new introduction which considers the issues surrounding the 2012 Lance Armstrong doping scandal.
PUBLISHERS WEEKLY
Gaige (The Folded World) revisits the fragility of family life in her newest, based broadly on the Clark Rockefeller child custody kidnapping case. The book written as an apology (in both the Socratic and emotional sense) to the narrator's ex-wife as he awaits trial is quiet and deeply introspective. Erik Schroder was born in East Berlin, but escaped with his father to working-class Boston. Recreating himself as Eric Kennedy, raised in a fictional town by a patrician family, the narrator distances himself from his past to gain entr e into American aristocracy. But his marriage based on lies goes sour, and in the midst of the resultant unfavorable custody arrangement, Eric takes his six-year-old daughter, Meadow, on an unsanctioned road trip through New England, seizing the opportunity to reconnect with her, even as he realizes that this idyllic time is as illusory as his past. Although Eric is often unreliable, Gaige conjures a groundswell of sympathy for an otherwise repugnant character. Tender moments of observation, regret, and joy all conveyed in unself-consciously lyrical prose result in a radiant meditation on identity, memory, and familial love and loss.
