The Art of a Lie
A Novel
-
- USD 14.99
-
- USD 14.99
Publisher Description
In 18th-century England, a widowed confectioner is drawn into a web of love, betrayal, and intrigue and a battle of wits in this masterful historical novel from the author of the “delicious puzzle-box of a novel” (The New York Times) and USA TODAY bestseller The Square of Sevens.
Following the murder of her husband in what looks like a violent street robbery, Hannah Cole is struggling to keep her head above water. Her confectionary shop on Piccadilly is barely turning a profit, her suppliers conspiring to put her out of business because they don’t like women in trade. Henry Fielding, the famous author-turned-magistrate, is threatening to confiscate the money in her husband’s bank account because he believes it might have been illicitly acquired. And even those who claim to be Hannah’s friends have darker intent.
Only William Devereux seems different. A friend of her late husband, Devereux helps Hannah unravel some of the mysteries surrounding his death. He also tells her about an Italian delicacy called iced cream, an innovation she is convinced will transform the fortunes of her shop. But their friendship opens Hannah to speculation and gossip and draws Henry Fielding’s attention her way, locking her into a battle of wits more devastating than anything she can imagine.
PUBLISHERS WEEKLY
Shepherd-Robinson's bewitching latest historical (after The Square of Sevens) artfully folds real-life figures into its plot. In 1749 London, confectioner Hannah Cole flouts convention by running her shop, Punchbowl and Pineapple, instead of continuing to mourn her murdered husband, Jonas. With her inheritance delayed due to bizarre discrepancies in Jonas's accounting, she must earn a living somehow. None other than famed novelist and magistrate Henry Fielding is investigating Jonas's murder, and upon learning that the dead man was an unsavory rogue and a cruel husband, he starts to suspect that Hannah killed him. Hannah's only ally is the new-to-town William Devereaux, who vows to help her and gives her the exotic idea to serve an Italian delicacy called ice cream. While Hannah tests recipes and delights patrons in Piccadilly with this new treat, William negotiates with Fielding on her behalf. Gradually, though, Hannah begins to question William's motives. Shepherd-Robinson's prose is superb, bursting with poetic description and immersive period detail, and she sustains suspense without resorting to cheap tricks. Readers will race through this.