The Ballad of a Small Player
A Novel
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- USD 11.99
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- USD 11.99
Descripción editorial
NOW A NETFLIX FILM STARRING COLIN FARRELL AND TILDA SWINTON FROM ACADEMY AWARD WINNER EDWARD BERGER, DIRECTOR OF CONCLAVE AND ALL QUIET ON THE WESTERN FRONT
A “thrilling and terrifying” (NPR) tale of risk and obsession set in the mysterious world of Macau’s casinos, by the author of the critically acclaimed The Forgiven
“To open a new Lawrence Osborne book is to enter a maze of thrills from which there is no exit other than to finish the book in one sitting.”—The New York Times
“[A] vivid and feverish portrait of a soul in self-inflicted purgatorio”—The New York Times Book Review
A BEST BOOK OF THE YEAR: The New York Times Book Review, The New Yorker, NPR
As night falls on Macau and the neon signs that line the rain-slick streets come alive, Doyle—“Lord Doyle” to his fellow players—descends into his casino of choice to try his luck at the baccarat tables that are the anchor of his current existence. A corrupt English lawyer who has escaped prosecution by fleeing to the East, Doyle spends his nights drinking and gambling and his days sleeping off his excesses, continually haunted by his past. Taking refuge in a series of louche and dimly lit hotels, he watches his fortune rise and fall as the cards decide his fate.
In a moment of crisis he meets Dao-Ming, an enigmatic Chinese woman who appears to be a denizen of the casinos just like himself, and seems to offer him salvation in the form of both money and love. But as Doyle attempts to make a rare and true connection, all that he accepts as reality seems to be slipping from his grasp.
Resonant of classics by Dostoevsky and Graham Greene, The Ballad of a Small Player is a timeless tale steeped in eerie suspense and rich atmosphere.
PUBLISHERS WEEKLY
The latest from author and journalist Osborne (The Forgiven) is a searing portrait of addiction and despair set in the glittering world of Macau's casinos. "Lord Doyle," as he's known to the other gamblers, is an English lawyer who has embezzled from a client and fled to Asia. Doyle spends his days and nights playing baccarat, which he calls "a game of ecstasy and doom." At the tables he drinks fine wine, handles his cards wearing kid gloves, and slowly but surely loses. Doyle's descriptions of the tables, the players, and the game's siren allure are by turns touching, acid, and depressing. A fellow gamer has eyes that reveal "worlds of private pain." A particularly garish casino inspires Doyle to muse, "There is something in kitsch that reminds you there is more to being alive than being alive." But Doyle's jaundiced eye barely masks his monstrous compulsion; indeed, the novel's energetic portrait of the highs and lows of a gambler's fortunes are as good as anything in the literature of addiction. Just when it seems Doyle's luck may have at last run out, he's rescued by Dao-Ming, a beautiful prostitute, whose genuine concern for him seems to rouse Doyle from his dissipation and downward spiral. But the novel subverts an easy storybook ending and reveals something much bleaker. Osborne's intriguing Chinese milieu and exquisite prose mark this work as a standout.
