The Best American Science Fiction and Fantasy 2015
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- USD 14.99
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- USD 14.99
Publisher Description
Imaginative fiction from Neil Gaiman, Karen Russell, Daniel H. Wilson, and more, selected by New York Times-bestselling author Joe Hill.
Science fiction and fantasy enjoy a long literary tradition, stretching from Mary Shelley, H. G. Wells, and Jules Verne to Ray Bradbury, Ursula K. Le Guin, and William Gibson. In The Best American Science Fiction and Fantasy, 2015 award-winning editor John Joseph Adams and Joe Hill deliver a diverse and vibrant collection of stories published in the previous year. Featuring writers with deep science fiction and fantasy backgrounds, along with those who are infusing traditional fiction with speculative elements, these stories uphold a longstanding tradition in both genres—looking at the world and asking, What if?
The Best American Science Fiction and Fantasy, 2015 includes Kelly Link, Neil Gaiman, Karen Russell T. C. Boyle, Sofia Samatar, Jo Walton, Cat Rambo Daniel H. Wilson, Seanan McGuire, Jess Row, and more.
"The overall quality of the work is very high."—Publishers Weekly
PUBLISHERS WEEKLY
This first SF and fantasy volume of the venerable Best American annuals collects work published in 2014 by authors residing in the U.S. and Canada. Series editor John Joseph Adams and his team selected 80 stories (18 of which came from publications Adams edited) and anonymized them for Hill, who picked 20 to reprint; the rest received honorable mentions. The overall quality of the work is very high, with standouts including Nathan Ballingrud's creepy-cute "Skullpocket," about the fair a ghoul holds annually for his town's children; Neil Gaiman's "How the Marquis Got His Coat Back," a charming return to his Neverwhere universe; and Karen Russell's "The Bad Graft," in which a woman picks up the spirit of a Joshua tree as a hitchhiker. T.C. Boyle's "The Relive Box" is the lowest point, as its depiction of a man ensnared by a machine that can let him relive his best moments forever is the presentation of a scenario rather than a story, but Boyle's technical skill holds the piece together. A certain similarity in tone creeps in after a while, but it's fortunately broken up often enough for the book to keep the reader's interest.
