The Forgiven
A Novel
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- USD 4.99
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- USD 4.99
Descripción editorial
NOW A MAJOR MOTION PICTURE STARRING JESSICA CHASTAIN AND RALPH FIENNES • A haunting novel exploring the reverberations of a random accident on the lives of Moroccan Muslims and Western visitors who converge on a luxurious desert villa for a decadent weekend-long party.
“Surprising and dark and excellent . . . a sinister and streamlined entertainment.”—The New York Times
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Economist • The Guardian • Library Journal
David and Jo Henniger, a doctor and a children's book author, in search of an escape from their less than happy lives in London, accept an invitation to attend a bacchanal at their old friends' home, deep in the Moroccan desert. But as a groggy David navigates the dark desert roads, two young men spring from the roadside, the car swerves . . . and one boy is left dead.
When David and Jo arrive at the party, the Moroccan staff, already disgusted by the rich, hedonistic foreigners in their midst, soon learn of David's unforgivable act. Then the boy's irate Berber father appears, and events begin to spin beyond anyone's control.
With spare, evocative prose, searing sensuality, and a gift for the unexpected, Lawrence Osborne memorably portrays the privileged guests wrestling with their secrets amid the remoteness and beauty of the desert landscape. He gradually reveals the jolting backstory of the young man who was killed and leaves David’s fate in the balance as the novel builds to a shattering conclusion.
PUBLISHERS WEEKLY
Osborne's rich new novel (after the nonfiction Bangkok Days) follows British couple David and Jo Henniger into the Moroccan desert for a debauched weekend at their friends' palatial ksar. Driving to the estate, David is distracted while arguing with Jo, and consequently hits and kills a young Moroccan. When they arrive at the party, corpse in tow, their hosts help David deal with the police while the servants keep vigil with the body. The next morning, the dead boy's father, Abdellah, arrives and demands that David return with him to help bury his son. No sooner has David departed and left Jo behind than charming American Tom Day sets his amorous sights on the unhappily married Jo. Meanwhile, Abdellah weighs whether to avenge his son's death by killing David. Although the Hennigers finally begin to scrutinize their choices (as unflinchingly as Osborne surveys his characters), their repentance may not be enough to sway their fates. With nods to Paul Bowles and Evelyn Waugh, Osborne portrays the vacuity of high society as gorgeously and incisively as he does the unease of cultures thrust together in the unforgiving desert.
