The Second Coming of Mavala Shikongo
A Novel
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- USD 9.99
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- USD 9.99
Descripción editorial
Set in Namibia just after independence in the early 1990s, Peter Orner's first novel is a chronicle of the long days, short loves, and cold nights at Goas, an all-boys Catholic primary school so deep in the veld that "even the baboons feel sorry for us."
Though physically isolated in semi-desert beneath a relentless sun, the people of Goas create an alternate, more fertile universe through the stories they tell each other. The book's central character is Mavala Shikongo, a combat veteran who fought in Namibia's long war for independence against South Africa.
She has recently returned to the school -- with a child, but no husband. Mavala is modern, restless, and driven, in sharp contrast to conservative Goas. All the male teachers (including a bumbling but observant volunteer from Cincinnati) try not to fall in love with her. Everyone fails -- immediately and miserably. This extraordinary first novel explores the history of a place through the stories of its people. But above all it's about the fleetingness of love and the endurance of fellowship.
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Orner's poetic, episodic examination of the varieties of life at an isolated Catholic primary school deep in the veld of Namibia coheres around the title character, a beautiful guerrilla fighter turned kindergarten teacher. Set in the early 1990s, soon after Namibia won independence from South Africa, this impressive debut novel (after Esther Stories) is mostly narrated by Larry Kaplanski, a young volunteer who leaves Cincinnati, Ohio, to teach English and history at Farm Goas. Orner captures Goas's glacial rhythms, the extraordinary contrast between the desert's night and day, and the community's daily privations, including for the single male teachers a lust arising from boredom and loneliness. Mavala Shikongo, the principal's sister-in-law and the object of her colleagues' desires, reluctantly settles at Goas with her illegitimate baby boy, Tomo. Orner punctuates Larry's observations with brief interludes told from the points of view of other inhabitants of the school, and with haunting, cinematic imagery boys do pull-ups on a huge cross; Mavala and Larry, who become friends and intimates, hold their afternoon trysts on the graves of Boer settlers. These telling snapshots stand in for the larger sociopolitical, cultural and religious issues facing a country emerging from a century of colonization.
