Vinegar Hill
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- USD 9.99
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- USD 9.99
Descripción editorial
In a stark, troubling, yet ultimately triumphant celebration of self-determination, award-winning author A. Manette Ansay re-creates a stifling world of guilty and pain, and the tormented souls who inhabit it. It is 1972 when circumstance carries Ellen Grier and her family back to Holly's Field, Wisconsin. Dutifully accompanying her newly unemployed husband, Ellen has brought her two children into the home of her in-laws on Vinegar Hill--a loveless house suffused with the settling dust of bitterness and routine--where calculated cruelty is a way of life preserved and perpetuated in the service of a rigid, exacting and angry God. Behind a facade of false piety, there are sins and secrets in this place that could crush a vibrant young woman's passionate spirit. And here Ellen must find the straight to endure, change, and grow in the all-pervading darkness that threatens to destroy everything she is and everyone she loves.
PUBLISHERS WEEKLY
Set in 1972, Ansay's debut novel revolves around Ellen Grier's struggle for liberation-liberation from her marriage to James, from her virtual enslavement to her sanctimonious, cruel in-laws and from what she see as the stultifying demands of her religion, Roman Catholicism. Financial difficulties have forced James and Ellen, along with their two children, to move back to the small Wisconsin town where they grew up and where they now share an acrimonious and joyless life with James's parents. Virtually every character is victimized by a private misery that causes pain and alienation and that in turn victimizes others. Ansay, who teaches creative writing at Vanderbilt, is adept at delineating these worlds of suffering, and her language can be both apt and beautiful. But she offers too many descriptions of the nightmares and waking bad dreams that seem to afflict all of her characters, and the reader begins to share the sense of being caught in a bad dream. As the story concentrates more on Ellen's search for identity-a familiar tale presented here in a familiar way-this sense of nightmare is intensified by an impression of deja vu. Though uneven, the novel offers glimpses of Ansay's potential to deliver a more coherent book next time.
