- Film and Video Editing Theory
- Film and Video Intermediality
- Film and Video Production in the Cloud
- Film Art Phenomena
- Film as Cultural Artifact: Religious Criticism of World Cinema
- Film As Product in Contemporary Hollywood
- Film as Social Practice
- Film Bodies
- Film Censorship
- Film Censorship in America
- Film che aiutano a stare meglio
- Film Comedy and the American Dream
- Film Crazy
- Film Criticism As Cultural Fantasy
- Film Criticism, the Cold War, and the Blacklist
- Film Culture Reader
- Film Dialogue
- Film Directing Handbook
- Film Discourse Interpretation
- Film e Registi di Oggi e di Ieri
- Film Editing
- Film England
- Film Favorites for Piano Solo
- Film Freak
- FILM GENERATION #01
- FILM GENERATION #02
- FILM GENERATION #03
- Film Genre
- Film Genre for the Screenwriter
- Film Genre Reader IV
- Film Genres in Hungarian and Romanian Cinema
- Film Guide for Activists
- Film History
- Film in Contemporary Southeast Asia
- Film in the Anthropocene
- Film Into Video
- Film is Like a Battleground
- Film Makers: Steps By Steps Guides To Using Your Phone As A Film Device
- Film Manifestos and Global Cinema Cultures
- Film Marketing into the Twenty-First Century
- Film Moments
- Film Music in 'Minor' National Cinemas
- Film Music in the Sound Era
- Film Music: A Very Short Introduction
- Film Noir and Los Angeles
- Film Noir and the Possibilities of Hollywood
- Film Noir FAQ
- Film Noir Production
- Film Noir Style
- Film Noir, American Workers, and Postwar Hollywood
- Film Noir: A Very Short Introduction
- Film on the Faultline
- Film on Video
- FILM PAST FILM FUTURE
- Film Performance
- Film photography
- Film Policy
- Film Production Management
- Film Professionals in Nazi-Occupied Europe
- Film Programming
- Film Propaganda and American Politics
- Film Rhythm after Sound
- Film School
- Film School Confidential
- Film School: A Quick Guide For Newbie
- Film School: Register A Film School Or Not
- Film Scores for Solo Piano
- Film Scriptwriting
- Film Semiotics, Metz, and Leone's Trilogy
- Film Stardom and the Ancient Past
- Film Stars' Television Projects
- Film Stories
- Film Studies, second edition
- Film Technique and Film Acting
- Film Technology in Post Production
- Film Text Analysis
- Film Theory
- Film Theory: Rational Reconstructions
- Film Tourism in Asia
- Film Translation from East to West
- Film Violence
- Film Worlds
- Film, Architecture and Spatial Imagination
- Film, Art, and the Third Culture
- Film, Fashion, and the 1960s
- Film, History and Cultural Citizenship
- Film, Lacan and the Subject of Religion
- Film, Nihilism and the Restoration of Belief
- Film, Philosophy, and Reality
- Film, Religion and Activist Citizens
- Film-Bühne Hotel
- FILM-KONZEPTE 38 - Dominik Graf
- FILM-KONZEPTE 39 - Satyajit Ray
- FILM-KONZEPTE 40 - Milena Canonero
- Film-Konzepte 41: Pedro Costa
- Film-Konzepte 42: Caroline Link
- FILM-KONZEPTE 43 - Francois Ozon
- Film-Konzepte 44: Leni Riefenstahl
- Film-Konzepte 45: Stanley Kwan
- Film-Konzepte 46: Bernd Eichinger
- Film-Konzepte 47: Chantal Akerman
- FILM-KONZEPTE 48 - Luchino Visconti
- FILM-KONZEPTE 49 - Ken Loach
- FILM-KONZEPTE 50 - Wim Wenders
- FILM-KONZEPTE 51 - Rudolf Thome
- FILM-KONZEPTE 52 - Woody Allen
- FILM-KONZEPTE 53 - Ula Stöckl
- FILM-KONZEPTE 54 - Nicolas Winding-Refn
- FILM-KONZEPTE 55 - Asghar Farhadi
- FILM-KONZEPTE 56 - Jaques Demy
- FILM-KONZEPTE 57 - Quentin Tarantino
- FILM-KONZEPTE 58 - Vera Chytilová
- FILM-KONZEPTE 59 - Ulrich Seidl
- FILM-KONZEPTE 60 - Roy Andersson
- FILM-KONZEPTE 61 - Jonas Mekas
- FILM-KONZEPTE 62 - Christopher Nolan
- Film/Genre
- Film/Music Analysis
- Film: A Very Short Introduction
- Filmanalyse
- Filmando el cambio social
- Filmar la ciudad
- Filmar o que não se vê
- Filmar o real
- Filmare l'invisibile
- Filmatrix
- Filmcrew 101 Survival Guide
- Filme für den Eimer: Das Experimentalkino von Klaus Telscher
- Filmed Thought
- Filmer des spots de pub, un métier aventureux
- Filmer l'acte de création
- Filmer l'artiste au travail