After Such Knowledge
A Meditation on the Aftermath of the Holocaust
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- 69,99 lei
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- 69,99 lei
Publisher Description
As the Holocaust recedes from us in time, the guardianship of its legacy is being passed on from its survivors and witnesses to the generation after. How should we, in turn, convey its knowledge to others? What are the effects of a traumatic past on its inheritors, and the second generation's responsibilities to its received memories?
Eva Hoffman probes these questions through personal reflections and through broader explorations of the historical, psychological and moral implications of the second-generation experience. She examines the subterranean processes through which private memories of suffering are transmitted, and the more wilful stratagems of collective memory. As she guides us through the poignant juncture at which living memory must be relinquished, she asks what insights can be carried from the past, and urges the need to transform potent family stories into a fully-informed understanding of a forbidding history.
PUBLISHERS WEEKLY
"Sixty years after the Holocaust took place... this immense catastrophe recedes from us in time, our preoccupation with it seems only to increase," writes Hoffman in this beautifully wrought, deftly argued examination of how we might attempt to understand the Holocaust. In seven short essays, Hoffman (Lost in Translation, etc.) focuses on the consciousness and experience of the Holocaust's second generation the children of survivors as theirs is a "strong case-study in the deep and long-lasting impact of atrocity." Synthesizing personal history (born in Cracow, Poland, in 1945, Hoffman left at the age of 13 with her parents) with astute gleanings from the fields of psychoanalysis, sociology and literary criticism, the book considers such diverse concepts as how the "trauma" of the Holocaust is constructed, the role of emigration and national identity in shaping the second generation's narratives of their lives and how works as diverse as Marguerite Duras's The War: A Memoir and Bernhard Schlink's The Reader helped shape a series of conflicting ideas about victimhood and responsibility. But the power of Hoffman's vision comes in her posing vital questions: "what happens when we focus on 'memory' itself rather than its object"; how do we sort through the question of personal and collective responsibility, "distinguish shadows from realities and fable from history" in order to understand what can be done to redress the past? Hoffman writes with a subdued but vibrant passion. In the end, she suggests that Holocaust studies now take on the difficult question of "the range of Jewish behavior during the Holocaust," particularly the missed opportunities for resistance. Such a daring, controversial challenge is emblematic of Hoffman's brave and forthright thinking and places this volume in the vanguard of Holocaust studies.
