Angel of Oblivion
-
- 64,99 lei
-
- 64,99 lei
Publisher Description
Haderlap is an accomplished poet, and that lyricism leaves clear traces on this ravishing debut, which won the prestigious Bachmann Prize in 2011. The descriptions are sensual, and the unusual similes and metaphors occasionally change perspective unexpectedly. Angel of Oblivion deals with harrowing subjects - murder, torture, persecution and discrimination of an ethnic minority - in intricate and lyrical prose.
The novel tells the story of a family from the Slovenian minority in Austria. The first-person narrator starts off with her childhood memories of rural life, in a community anchored in the past. Yet behind this rural idyll, an unresolved conflict is smouldering. At first, the child wonders about the border to Yugoslavia, which runs not far away from her home. Then gradually the stories that the adults tell at every opportunity start to make sense. All the locals are scarred by the war. Her grandfather, we find out, was a partisan fighting the Nazis from forest hideouts. Her grandmother was arrested and survived Ravensbrück.
As the narrator grows older, she finds out more. Through conversations at family gatherings and long nights talking to her grandmother, she learns that her father was arrested by the Austrian police and tortured - at the age of ten - to extract information on the whereabouts of his father. Her grandmother lost her foster-daughter and many friends and relatives in Ravensbrück and only escaped the gas chamber by hiding inside the camp itself. The narrator begins to notice the frequent suicides and violent deaths in her home region, and she develops an eye for how the Slovenians are treated by the majority of German-speaking Austrians. As an adult, the narrator becomes politicised and openly criticises the way in which Austria deals with the war and its own Nazi past. In the closing section, she visits Ravensbrück and finds it strangely lifeless - realising that her personal memories of her grandmother are stronger.
Illuminating an almost forgotten chapter of European history and the European present, the book deals with family dynamics scarred by war and torture - a dominant grandmother, a long-suffering mother, a violent father who loves his children but is impossible to live with. And interwoven with this is compelling reflection on storytelling: the narrator hoping to rid herself of the emotional burden of her past and to tell stories on behalf of those who cannot.
PUBLISHERS WEEKLY
In her debut novel, Haderlap plunges readers into a morass of European history. The book is an attempt to rescue the memories of her elders among the Slovenes living in southern Austria during the aftermath of the Second World War from the "angel of oblivion." The author recounts her childhood in a landscape that bears silent witness to her people's betrayal and butchery by Austrian Nazis. The author's family is reticent and damaged, yet as she grows up, she gathers their recollections. Her grandfather and brother were partisans, fighting against the Nazis, and for this the grandmother was taken to Ravensbr ck. Her son, the author's father, was tortured as a child for information, suspended by a policeman from a tree. "He thought I was foliage," the author's father says on his deathbed. As the narrator matures, she is able to discern the reasons her father is violent and drinks himself into oblivion, why her mother argues with her grandmother about the girl's exposure to the past, and why her grandmother grows cold as she is dying. Parts of these people have been stolen "the force of their memories disconcerts them" so they must preserve the rest.