The Captain's Vengeance
An Alan Lewrie naval adventure
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- 24,99 lei
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- 24,99 lei
Descrierea editorului
The twelfth thrilling and powder-packed instalment of this classic naval adventure series.
It is early February 1799, a year of war. Sailing in the Caribbean, Captain Alan Lewrie is once again pursuing a chimera. A rich French prize ship he’s left at anchor in Dominica has gone missing, along with six of his sailors.
What starts as a straightforward search from Hispaniola to Barbados leads Lewrie to a gruesome discovery on the Dry Tortugas and to a vile cabal of the most pitiless and depraved pirates ever to sail under the Jolly Roger. And one of his trusted hands may just be the worst of them all!
Beguilements, betrayal and death lurk round every corner, and it’s up to Lewrie’s quick but cynical wits to win the day and wreak a very personal vengeance on his foes…
The Captain's Vengeance, book twelve in The Alan Lewrie Naval Adventures, is perfect for fans of David McDine, Bernard Cornwell and Patrick O’Brian.
‘You could get addicted to this series. Easily.’ New York Times Book Review
‘The best naval series since C. S. Forester . . . Recommended.’ Library Journal
‘Fast-moving. . . A hugely likeable hero, a huge cast of sharply drawn supporting characters: there's nothing missing. Wonderful stuff.’ Kirkus Reviews
PUBLISHERS WEEKLY
This 12th installment of the Alan Lewrie naval adventure series sends the British captain to 1799 New Orleans in pursuit of pirates. Unlike the manly, ship-shape society aboard his frigate, New Orleans seems dominated by seductive women, especially the coquettish pirate ringleader Charit , who is plotting an insurrection against Louisiana's slothful Spanish rulers that will reunite it with Republican France and forestall a takeover by the uncouth but energetic Americans. Crying "laisser les bons temps rouler," Charit fights for her right " 'to be French... to take joy in being sans moralit ' "; for her, the French Revolution the great problem of the naval adventure genre is not a sociopolitical rupture but a new, unconventional defense of traditional Gallic decadence and frivolity against the encroachment of Yankee industriousness. Out of his depth, Lewrie confronts her unruly French femininity the only way he can on dry land through noisy, seven-condom sex marathons ("her pleasure made her squawl out loud... grunting and lowing like a heifer being taken by a rutting bull") undertaken while his associates unravel the various intrigues. Throughout, Lambdin layers on period minutiae of clothing, weapons, customs and patois (" 'You cheese-paring bougre!' ") along with accounts of Mississippi valley trade and settlement patterns. A wealth of historical detail and lively, if stereotyped, supporting characters partly make up for the novel's slack plot and overdone sex.
