A Sorceress Comes to Call
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- 139,00 kr
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Named a Best Fantasy Book of the Year by NPR, Elle, and Paste
A Goodreads Best Fantasy Choice Award Nominee
From New York Times bestselling and Hugo Award-winning author T. Kingfisher comes A Sorceress Comes to Call—a dark reimagining of the Brothers Grimm's "The Goose Girl," rife with secrets, murder, and forbidden magic.
Cordelia knows her mother is . . . unusual. Their house doesn’t have any doors between rooms—there are no secrets in this house—and her mother doesn't allow Cordelia to have a single friend. Unless you count Falada, her mother's beautiful white horse. The only time Cordelia feels truly free is on her daily rides with him.
But more than simple eccentricity sets her mother apart. Other mothers don’t force their daughters to be silent and motionless for hours, sometimes days, on end. Other mothers aren’t evil sorcerers.
When her mother unexpectedly moves them into the manor home of a wealthy older Squire and his kind but keen-eyed sister, Hester, Cordelia knows this welcoming pair are to be her mother's next victims. But Cordelia feels at home for the very first time among these people, and as her mother's plans darken, she must decide how to face the woman who raised her to save the people who have become like family.
"Kingfisher never fails to dazzle."—Peter S. Beagle, Hugo, Nebula, and Locus Award-winning author of The Last Unicorn
"Kingfisher is an inventive fantasy powerhouse."—BookPage
Also by T. Kingfisher
Nettle & Bone
Thornhedge
What Moves the Dead
What Feasts at Night
A House with Good Bones
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
PUBLISHERS WEEKLY
With this riff on the Brothers Grimm's "The Goose Girl," set in a fantasy world inspired by Regency romances, Hugo Award winner Kingfisher (Nettle & Bone) continues her hot streak of deeply compassionate, thrilling, and often laugh-out-loud fairy tale retellings. Cordelia, 14, grows up in a house without closed doors. Her mother, Evangeline, is a dangerous enchantress who regularly compels her into total obedience. The first time Cordelia's allowed some privacy is when Evangeline moves them into the home of her suitor, Squire Samuel Chatham—a home Evangeline means to seize and remake to her specifications by whatever means necessary. The Squire's sister, Lady Hester, feels an awful presentiment of doom and is on the defensive around Evangeline, but only Cordelia knows the true, murderous extent of her mother's powers. Can Cordelia speak up against a mother who controls her so completely? Would Hester even believe her if she did? The dual narrators—terrified fish-out-of-water Cordelia and tenaciously sensible Hester—are nuanced, distinctive, and frequently funny. Kingfisher's remarkable skill for crafting scene-stealing secondary characters is also on full display in ruthless cardsharp Imogen Strauss, über-competent butler Willard, merry widow Penelope Green, and the mysteriously magical horse Falada. Expertly blending humor with folkloric horror, this incredibly satisfying fantasy will delight Kingfisher's fans and newcomers alike.
