Banishing Verona
A Novel
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- 105,00 kr
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- 105,00 kr
Utgivarens beskrivning
A couple begins an intense affair, only to be separated abruptly-and perhaps irrevocably-in this surprising, suspenseful love story
Zeke is twenty-nine, a man who looks like a Raphael angel and who earns his living as a painter and carpenter in London. He reads the world a little differently from most people and has trouble with such ordinary activities as lying, deciphering expressions, recognizing faces. Verona is thirty-seven, confident, hot-tempered, a modestly successful radio show host, unmarried, and seven months pregnant. When the two meet in a house that Zeke is renovating, they fall in love, only to be separated less than twenty-four hours later when Verona leaves abruptly, without explanation, for Boston.
Both Zeke and Verona, it turns out, have complications in their lives, though not of a romantic kind. Verona's involve her brother, Henry, who is tied up in shady financial dealings. Zeke's father has had a heart attack and his mother is threatening to run away with her lover, all of which puts pressure on Zeke to take over the family grocery business. And yet he finds himself following Verona to Boston. As he pursues her, and she pursues Henry, both are forced to ask the perplexing question: Can we ever know another person?
Deftly plotted and filled with unexpected twists, Livesey's Banishing Verona marks the arrival of another lyrical and wise novel from a writer whose work "radiates with compassion and intelligence and always, deliciously, mystery" (Alice Sebold).
PUBLISHERS WEEKLY
A starred review indicates a book of outstanding quality. A review with a blue-tinted title indicates a book of unusual commercial interest that hasn't received a starred review.BANISHING VERONAMargot Livesey. Holt, $24 (320p) Livesey's lovely fifth novel tells the story of Zeke, a 29-year-old London housepainter with "the face of a Raphael angel" and an autism-like difficulty relating to other people, and Verona, who shows up at a house Zeke is working on, very pregnant and claiming to be the owners' niece. After they spend a night together, Verona disappears, leaving a pair of painter's coveralls nailed to the floor. Neither can forget the other. As Zeke goes on a hunt for the mysterious Verona, she calls him from Boston, where she has, in a slightly far-fetched turn of events, gone to hunt down her blithely amoral brother, Henry, to convince him to repay his creditors, who have begun threatening her. Zeke heeds her instructions to meet her there, only to spend days alone in a hotel room as she contacts him from New York and then from London, when, Henry's financial matters settled, she abruptly goes home. Devastated, he returns to London, ignores her calls (even burying his answering machine to fully banish her), but finally gives in to the powerful connection he felt the moment he met her. The off-kilter chronology of their alternating stories works well, and both Zeke and Verona have just enough quirks to be endearing without being implausible; the supporting characters are similarly well realized. As Livesey (Eva Moves the Furniture) gently probes the depths of longing, betrayal and forgiveness, her gift for creating sublimely unexpected sentences is abundantly on display: Zeke's "emotions were swirling and scattering like leaves in a playground on a windy day; he glimpsed joy, rage, hope, amazement, jealousy, frustration and exaltation flashing by." "You're the opposite of Narcissus," an old girlfriend of Zeke's tells him. Moments like these are ghosts that dance in the reader's vision long after the photographer's flashbulb has popped.
