- 229,00 kr
The long-awaited memoir from one of the most celebrated modern dancers of the past fifty years: the story of her own remarkable career, of the formative years of the Merce Cunningham Dance Company, and of the two brilliant, iconoclastic, and forward-thinking artists at its center—Merce Cunningham and John Cage.
From its inception in the l950s until her departure in the l970s, Carolyn Brown was a major dancer in the Cunningham company and part of the vibrant artistic community of downtown New York City out of which it grew. She writes about embarking on her career with Cunningham at a time when he was a celebrated performer but a virtually unknown choreographer. She describes the heady exhilaration—and dire financial straits—of the company’s early days, when composer Cage was musical director and Robert Rauschenberg designed lighting, sets and costumes; and of the struggle for acceptance of their controversial, avant-garde dance. With unique insight, she explores Cunningham’s technique, choreography, and experimentation with compositional procedures influenced by Cage. And she probes the personalities of these two men: the reticent, moody, often secretive Cunningham, and the effusive, fun-loving, enthusiastic Cage.
Chance and Circumstance is an intimate chronicle of a crucial era in modern dance, and a revelation of the intersection of the worlds of art, music, dance, and theater that is Merce Cunningham’s extraordinary hallmark.
Brown, a founding member of Merce Cunningham's dance company, began working on her memoir shortly after leaving the troupe in 1972, but it's proved worth the 30-year wait. Of course, the behind-the-scenes perspective on Cunningham's groundbreaking choreography is invaluable, but Brown's keen critical insights are enhanced by her account of Cunningham's temperamental difficulties in relating to and managing his fellow artists. She also discusses the role avant-garde composer John Cage played in the company's development, although it's the emotional roller-coaster of their friendship that proves most memorable. For many, the centerpiece of Brown's story might be found in several chapters devoted to a 1964 world tour, but there are wonderful moments sprinkled throughout, including the debut performance of Cage's landmark silent piece, 4'33" , along with humorous vignettes featuring Robert Rauschenberg, Willem de Kooning and Rudolf Nureyev. Brown writes with great candor about the emotional costs of her artistic commitment, but she can occasionally be oblique; the dissolution of her marriage to open-form composer Earle Brown nearly gets lost in the shuffle of performances (and reactions to outraged critics, many recounted in detail). Her story will become an indispensable document for anyone curious about the mid-century revolution in American art. 40 pages of photos.