Great Dames
What I Learned from Older Women
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- 29,00 kr
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- 29,00 kr
Utgivarens beskrivning
"Fascinating, gossipy, entertaining. . . ."
— New York Times Book Review
They are ten outstanding women of the century. Each had an aura, including Thelma Brenner, the first great dame her daughter ever knew. Their lives were both gloriously individual and yet somehow universal. They were mighty warriors and social leaders, women of aspiration who persevered. They lived through the Great Depression and a world war. Circumstances did not defeat them. They played on Broadway and in Washington. They had glamour, style, and intelligence. They dressed up the world.
"Vivid, intimate portraits . . . a splendid tribute to ten of the century's grandest, most powerful women."
—Us
"These women were our geishas, whispering in our ears to influence all aspects of American life."
—Susan Salter Reynolds, Los Angeles Times
"Delectable, classy . . . a runaway hit."
—Liz Smith
"An engrossing introduction to a way of life that's now extinct, for better or for worse."
—Chicago Sun-Times
PUBLISHERS WEEKLY
An accomplished author (House of Dreams: The Bingham Family of Louisville) and a writer-at-large for Vanity Fair, Brenner gathers 10 skillfully drawn portraits of women "of a certain age," ranging from Jacqueline Onassis to her own mother, Thelma Brenner. Eight of the pieces were assigned by and originally ran in Vanity Fair or the New Yorker. Her subjects include Constance Baker Motley, the lawyer who argued Brown v. Board of Education; Luise Rainer, who won back-to-back Academy Awards for Best Actress in 1936 and 1937; Kay Thompson, creator of the Eloise books; Pamela Harriman, a U.S. ambassador to France and Democratic Party fund-raiser; Clare Boothe Luce, author and U.S. ambassador to Italy; intellectual and author Diana Trilling; Marietta Tree, a political hostess and society figure; and Kitty Carlisle Hart, actress and former head of the New York State Council on the Arts. Brenner lauds their courage in surviving such catastrophic events of the 20th century as the Great Depression and WWII, and admires their drive and ambition, which in that era meant marrying or having liaisons with men whose wealth or status could help them achieve their dreams. What these women have in common, Brenner argues, is an ability to maintain a public life, to guard the image they created no matter what suffering might have been borne in silence. They rose to fame in a gentler era than our own, Brenner believes; her tributes are invested with nostalgia for the gallantry her subjects displayed in what was essentially a man's world.
