- 59,00 kr
Heartsone is C. J. Sansom's fifith spellbinding mystery in the Shardlake series.
Summer, 1545. England is at war. Henry VIII's invasion of France has gone badly wrong, and a massive French fleet is preparing to sail across the Channel. As the English fleet gathers at Portsmouth, the country raises the largest militia army it has ever seen. The King has debased the currency to pay for the war, and England is in the grip of soaring inflation and economic crisis.
Meanwhile Matthew Shardlake is given an intriguing legal case by an old servant of Queen Catherine Parr. Asked to investigate claims of "monstrous wrongs" committed against a young ward of the court, which have already involved one mysterious death, Shardlake and his assistant Barak journey to Portsmouth.
Once arrived, Shardlake and Barak find themselves in a city preparing to become a war zone; and Shardlake takes the opportunity to also investigate the mysterious past of Ellen Fettiplace, a young woman incarcerated in the Bedlam. The emerging mysteries around the young ward, and the events that destroyed Ellen's family nineteen years before, involve Shardlake in reunions both with an old friend and an old enemy close to the throne. Events will converge on board one of the King's great warships, primed for battle in Portsmouth harbour . . .
Continue the gripping historical series with Lamentation and Tombland.
Few contemporary authors are as adept as Sansom at blending a whodunit with a sweeping historical epic, as shown by his fifth mystery featuring English attorney Matthew Shardlake (after 2009's Revelation). In 1545, as a French fleet threatens invasion, the English queen, Catherine Parr, asks Shardlake to look into a matter for an old servant, whose son committed suicide shortly after filing a protest about the wardship of a boy the son had tutored. Soon after accepting this assignment, Shardlake is assaulted by a gang of thugs, who warn him to drop the matter. On his own, he also probes the past of a Bedlam inmate, Ellen Fettiplace, who was institutionalized 20 years earlier after being raped. Both cases turn out to be extremely complex, and Shardlake, who puts justice above his personal interests, ends up with several murders to solve as well. Strong prose makes Tudor England instantly accessible, and the clockwork plotting sustains deep interest throughout.