Jack Kerouac and Allen Ginsberg
The Letters
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- 159,00 kr
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- 159,00 kr
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The first collection of letters between the two leading figures of the Beat movement
Writers and cultural icons Jack Kerouac and Allen Ginsberg are the most celebrated names of the Beat Generation, linked together not only by their shared artistic sensibility but also by a deep and abiding friendship, one that colored their lives and greatly influenced their writing. Editors Bill Morgan and David Stanford shed new light on this intimate and influential friendship in this fascinating exchange of letters between Kerouac and Ginsberg, two thirds of which have never been published before. Commencing in 1944 while Ginsberg was a student at Columbia University and continuing until shortly before Kerouac's death in 1969, the two hundred letters included in this book provide astonishing insight into their lives and their writing. While not always in agreement, Ginsberg and Kerouac inspired each other spiritually and creatively, and their letters became a vital workshop for their art. Vivid, engaging, and enthralling, Jack Kerouac and Allen Ginsberg: The Letters provides an unparalleled portrait of the two men who led the cultural and artistic movement that defined their generation.
PUBLISHERS WEEKLY
At times loving, at others blistering, sarcastic, often uncomfortably self-lacerating and intimate, these 200 letters, collected in a heroic editorial effort by Ginsberg biographer Morgan and independent editor Stanford, cover the years 1944 1963, the most fertile in the creative lives of Kerouac and Ginsberg. A disbelieving Ginsberg writes to Kerouac in 1952 that On the Road is unpublishable, while Kerouac asks Ginsberg to treat his magnum opus as the next Ulysses. Kerouac immediately praises Howl in 1955, and in return Ginsberg gives Kerouac the manuscript while recounting, like any hopeful author, how freebies have gone to Eliot, Pound, Faulkner. Throughout, the sometimes sporadic letter writing is filled with fragments of works in progress and pungent observations on the authors and publishing people who influenced them, from Dante and Gide to Malcolm Cowley and Sterling Lord. There also is plenty of gossip about Peter Orlovsky, William Burroughs, and others in the circle. A growing rift concludes the 1950s, as literary fame mixed with alcohol weighs on Kerouac, though these soul brothers reunite through letters of the early 1960s. On receiving Ginsberg s work, Thelonius Monk exclaimed, "It makes sense." In its strange way, so does this intense and offbeat correspondence.
