- 49,00 kr
In August and September of 1988, Yousuf Karsh's long-time assistant, Jerry Fielder, sat down with the master photographer and taped over 9 hours of recollections of the many portrait sessions he'd experienced in one of the greatest careers in history. Karsh spoke of his sitters and his rags-to-riches life, including much that had never before been revealed or recorded. Previously, Karsh had often paired his full-page portraits with stories of his encounters with famous sitters. However, as his œuvre grew, the photographs soon eclipsed the commentary, and his essays were often edited down to captions.
Drawing from the newly rediscovered 1988 recordings, Karsh: Beyond the Camera reestablishes the original presentation of Karsh's work, pairing each photograph with the story of its making on the facing page. Here, Karsh's portraits are elucidated and complemented both by his own recollections and by the text of veteran curator David Travis. The resulting book, with its chronological rather than thematic arrangement of portraits, is a study of Karsh's artistic and stylistic development, offering the reader an unparalleled tour through the greatest images of the photographer's life work.
As much as Karsh wrote about his portrait sessions, he rarely revealed what he thought about himself. Travis constructs the compelling history of how a brilliant technician behind the camera was able to go beyond the studio trappings to plumb the psychological realm all great portrait photographers must navigate and master. Although Karsh had a deep understanding of the human psyche, he worked on an emotional level rather than an analytical one. Thus, his stories seldom addressed what he thought about his artistic experiences. This essential element of Karsh's work is what David Travis locates and fills in, drawing not only from the anecdotes themselves, but from the one thing that has been missing from all publications prior to this – the photographer's voice.
A retrospective of Karsh's work, this collection features 74 duotone photographs that span the portraitist's 50-plus year career. Included are many of Karsh's best-known portraits Winston Churchill, Albert Einstein, Pablo Picasso, Vladimir Nabokov reproduced by Karsh's preferred Swiss printer. This striking compilation reminds us of the portrait's significance in predigital culture, and of the mystique true film could achieve in the hands of a master of light and composition. These joys alone warrant spending time with the book, yet the ground this collection breaks has to do with the text (taken from transcripts of a 1988 interview) that accompanies each photograph. The photographer conveys as much about his admiration for Albert Einstein as he does the challenge of lighting the scientist's face "in all its rough grandeur." Karsh also recounts having to ask Ernest Hemingway's wife to leave a 1957 shoot, describing the celebrated writer as "the shyest man I have ever photographed." Famously reticent about his work, this is a rare invitation to learn the stories behind Karsh's most famous meetings with great men and women, and of his aesthetic choices when met with the challenge of capturing them as they were.