Last House Before the Mountain
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- 89,00 kr
Utgivarens beskrivning
'Beautiful and heartbreaking ... I absolutely loved it' Monica Ali, Sunday Times Bestselling author of Love Marriage
'A poignant, captivating, beautifully woven family saga. As honest as Elena Ferrante, with the folkloric intensity of Téa Obreht' Christina Baker Kline, #1 New York Times Bestselling author of The Exiles
Maria and Josef live with their children in a valley in westernmost Austria. When the First World War breaks out and Josef is drafted into the army, Maria is left to provide for her family alone. Every day is a struggle against starvation, the harsh alpine climate and the hostile nearby villagers who see Maria as little more than a beautiful temptress out for the men left behind. But when a red-haired stranger arrives in the village, Maria feels happiness seep back into her life and she faces a choice whose consequences will affect the lives of her family for generations to come.
Based on the internationally bestselling and award-winning Austrian novelist Monika Helfer's own family history, Last House Before the Mountain is a propulsive, haunting, multi-layered saga about love, family, and the hidden wages of war.
PUBLISHERS WEEKLY
In Helfer's spare, subtle English-language debut, an Austrian family is transformed during WWI. Maria and Josef Moosbrugger raise their four children in the shadow of a mountain outside a village, where their neighbors deride their poverty and worry the beautiful Maria will have a corrupting effect on the local men. Shortly after Josef departs in 1914 for military service, the mayor swoops in with offers to provide the family with food—but only if Maria tolerates his caresses—and Maria meets Georg, a traveler from Germany, whose ruddy hair and expressive manner make him the antithesis of the dark, saturnine Josef. Maria resists the mayor, and the children almost starve, and though Georg visits Maria only a few times, they fall in love. When Maria becomes pregnant, the villagers blame Georg. Josef, however, had twice come home on leave before the pregnancy, and when he returns for good after the war, he refuses to look at or speak to Margarethe, the daughter he insists is not his. Helfer brings a great deal of nuance to her exploration of female desire and vulnerability, male power, and community division. This should win the author wider recognition in the U.S.
