- 99,00 kr
Gripping narrative nonfiction that tells the dramatic story of a remarkable young Texan pianist, Van Cliburn, who played his way through the wall of fear built by the Cold War, won the hearts of the American and Russian people, and eased tensions between two superpowers on the brink of nuclear war.
In 1958, an unheralded twenty-three-year-old piano prodigy from Texas named Van Cliburn traveled to Moscow to compete in the First International Tchaikovsky Competition. The Soviets had no intention of bestowing their coveted prize on an unknown American; a Russian pianist had already been chosen to win. Yet when the gangly Texan with the shy grin took the stage and began to play, he instantly captivated an entire nation.
The Soviet people were charmed by Van Cliburn’s extraordinary talent, passion, and fresh-faced innocence, but it was his palpable love for the music that earned their devotion; for many, he played more like a Russian than their own musicians. As enraptured crowds mobbed Cliburn’s performances, pressure mounted to award him the competition prize. "Is he the best?" Soviet Premier Nikita Khrushchev demanded of the judges. "In that case . . . give him the prize!"
Adored by millions in the USSR, Cliburn returned to a thunderous hero’s welcome in the USA and became, for a time, an ambassador of hope for two dangerously hostile superpowers. In this thrilling, impeccably researched account, Nigel Cliff recreates the drama and tension of the Cold War era, and brings into focus the gifted musician and deeply compelling figure whose music would temporarily bridge the divide between two dangerously hostile powers.
Cliff brilliantly weaves together the politics, personalities, and pianism surrounding the first International Tchaikovsky Competition in Moscow in 1958. This portrait of a Cold War moment focuses on two remarkable people. The first is Van Cliburn, the courtly, eager 23-year-old from Kilgore, Tex., who combined a winning American openness with a heartfelt love of Russian music. The second is Nikita Khrushchev, an eccentric peasants' son who survived Stalin and went on to undo the worst of his oppressions. Riding high on the success of Sputnik and Soviet nuclear advances, Khrushchev saw the proposed music competition as a way to assert the U.S.S.R.'s cultural preeminence. The program was heavily weighted to Russian music, and many potential competitors felt that a foreigner would not be allowed to win. But Cliburn's mother and teachers had instilled in him a love of Russian repertoire that Moscow audiences grasped from round one. Khrushchev railed against Stalin's cult of personality but did not stand in the way of Cliburn's. This is a well-researched, fascinating look at a special relationship between Van Cliburn and the U.S.S.R. that lasted through low points (the downed U-2, the Cuban missile crisis) and high ones, all the way up to the 1987 summit that resulted in eliminating most of the world's strategic nuclear arsenal.