Our Man In Tehran
Ken Taylor, the CIA and the Iran Hostage Crisis
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- 109,00 kr
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- 109,00 kr
Utgivarens beskrivning
The world watched with fear in November 1979, when Iranian students infiltrated and occupied the American embassy in Tehran. As the city exploded in a fury of revolution, few knew about the six American embassy staff who escaped into hiding. For three months, Ken Taylor, the Canadian ambassador to Iran—along with his wife and embassy staffers—concealed the Americans in their homes, terrified that Ayatollah Khomeini would find out and exact deadly consequences.
January 28, 2010, marks the 30th anniversary of an event that stunned the world, when Ken Taylor masterminded the exfiltration of the six diplomats from Tehran. Americans were held in thrall as Ted Koppel updated the nation on the fate of its hostages and the Canadians orchestrated an intrepid escape. Americans celebrated in the streets across the nation, raising banners that read “Thank you, Canada!”
In Our Man in Tehran, Robert Wright, author of the award-winning national bestseller Three Nights in Havana, tells the story behind a major historical flashpoint, a story of cloak-and-dagger intrigue, the stuff of John le Carré and Frederick Forsyth made real.
PUBLISHERS WEEKLY
Much of Iran's relationship with the West and their mutual antipathy stems from the muddled events of a single day: November 4, 1979, when Iranian militants overran the U.S. embassy in Tehran, launching a 444-day-long hostage drama. What's often forgotten is that six Americans evaded their would-be captors and were protected and eventually extracted from Iran by Canadian diplomats. In this fascinating account of spycraft and compassion, Wright (Three Nights in Havana) puts newly unclassified documents to excellent use in recounting how Canadian ambassador Ken Taylor hid the Americans who had slipped out a side door and gathered intelligence for the U.S. government. Wright sketches the historic grievances that lay at the heart of the embassy takeover and dispels lingering myths among them, that the occupiers were "idealistic student amateurs" crafting an absorbing story of genuine heroism and suspense.
