Remember Me
A Lively Tour of the American Way of Dea
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- 109,00 kr
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- 109,00 kr
Utgivarens beskrivning
In Remember Me, Time writer Lisa Takeuchi Cullen has created a humorous and poignant chronicle of her travels around the country to discover how Americans are reinventing the rites of dying. What she learned is that people no longer want to take death lying down; instead, they're taking their demise into their own hands and planning the afterparty.
Cullen hears stories of modern-day funerals: lobster-shaped caskets and other unconventional containers for corpses; cremated remains turned into diamonds; and even mishaps like dove releases gone horribly wrong.
Eye-opening, funny, and unforgettable, Remember Me gives an account of the ways in which Americans are designing new occasions to mark death—by celebrating life.
PUBLISHERS WEEKLY
This intriguing survey of America's rapidly mutating funeral customs probes the one force mightier than death: consumerism. Journalist Cullen explores the innumerable ways in which funerals are being personalized, publicized, economized, commercialized, trivialized and, perhaps, humanized. Among the many offbeat memorials she unearths are funerals with Hawaiian, tango or Harley-Davidson themes, as well as beer-themed caskets, eco-friendly funerals, "human diamonds" manufactured from a loved one's ashes, and a Colorado town that celebrates a do-it-yourself cryonics pioneer with its Frozen Dead Guy Days Festival, now a major tourist attraction. In the middle of it all, she finds, is an uneasy funeral industry, squeezed at the bottom by cheap Chinese caskets and the vogue for no-frills cremation and challenged at the top by finicky boomer customers demanding more elaborate and symbol-laden rites (one poignant graveside dove-release attracted a passing hawk, with off-message results.) Cullen isn't much given to muckraking or dark pens es; "Death is a big, huge bummer" is as morbid as she gets. Her set-piece retrospectives on the guests of honor at unusual send-offs sometimes seem dully eulogistic. But for the most part her vivid reportage and wryly sympathetic tone feel anything but embalmed.
