Rhode Island Red
-
- 45,00 kr
-
- 45,00 kr
Utgivarens beskrivning
A New York Times Best Crime Novel of the Year
The first book in the Nanette Hayes Mystery series introduces us to jazz-loving, street busker Nanette, whose love life leads her into some very hot water.
Nan’s day is not off to a good start. Her on-again, off-again relationship with Walter is off…again, and when she offers a fellow busker a place to stay for the night he ends up murdered on her kitchen floor. To make matters worse, the busker turns out to have been an undercover cop. And his former partner has taken an immediate and extreme dislike to Nan. When she finds that the dead man stashed a wad of cash in her apartment, cash that could go to help his blind girlfriend, Nan’s desire to do the right thing lands her in trouble.
Soon she’s on the hunt for a legendary saxophone worth its weight in gold. But there are plenty of people who would kill for the priceless instrument, and Nan’s new beau just might be one of them.
PUBLISHERS WEEKLY
Style's the thing in this breezy, sexy mystery narrated by Nanette, a French-speaking, sax-playing street musician so charming and confident that she overshadows her own story. Having once more broken up with her on-again, off-again boyfriend, Walter, Nanette agrees to let another musician crash in her New York City apartment. When she wakes up during the night, she finds him lying on her floor with a knife sticking out of his throat and discovers that he was an undercover cop. Then she finds (and begins to spend) $60,000 in cash that had been stuffed into her saxophone. Soon, a mysterious stranger begins sending her yellow roses and begs her to teach him all she knows about Charlie Parker. It seems somewhat contrived that Nanette, as smart as she is ("I was one of those obnoxious child prodigies whose exploits are fillers for the Daily News"), fails to connect the dots between the men in her life, but her sardonic wit ("Two men do not a slut make. But, still and all, two ain't one") will help incredulous readers suspend their disbelief. The details about music and musicians are well-placed, and Nanette's down-and-out colleagues are an intriguing, believable bunch.
