Sacrificial Animals
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- 95,00 kr
Utgivarens beskrivning
Two brothers return to their family home to care for their dying father, only to find the ghosts of their pasts are restless and hungry for blood in this gothic horror, perfect for fans of Hereditary and readers of Stephen Graham Jones.
When their father calls them to tell them he is dying, Nick and Joshua rush back to their Nebraskan childhood home, Stag's Crossing, hoping for a deathbed reconciliation with the man who raised them. But their return sparks memories of their childhood, and their father—Carlyle—a ruthless, violent racist who ruled Stag's Crossing with an iron fist and disowned Joshua for marrying a woman of Asian descent.
Very quickly, the family find themselves falling into familiar patterns. Joshua and his father renew their tight bonds. As his long-buried memories of a youthful romance with another boy resurface, Nick finds himself ostracised and growing closer to Emilia, his brother's enigmatic wife.
But something else has arrived at Stag's Crossing, a presence out for revenge, and Nick, Joshua and Carlyle, who have traded in blood, dirt and violence for so long, are about to face a reckoning like no other.
Inspired by Kailee Pedersen's own journey being adopted from Nanning, China in 1996 and growing up on a farm in Nebraska, this rich and atmospheric supernatural horror debut draws on ancient Chinese mythology to explore the violent legacy of inherited trauma and the total collapse of a family in its wake.
PUBLISHERS WEEKLY
The mythic Chinese figure of the nine-tailed fox spirit goes Midwestern Gothic in Pederson's unsettling debut, which tracks the rise and fall of the Morrow family of Stag's Crossing, a 1,000-acre farm in Nebraska. The narrative toggles between "then" and "now." "Then" follows the three Morrow men—father Carlyle, older son Joshua, and youngest son Nick—as they hunt a deer and a fox after killing the fox's cubs. In the sections labeled "now," Carlyle is dying of bone cancer and hopes to reconcile with his sons, who have become estranged after Carlyle disowned Joshua for marrying Emilia, an Asian woman with a mysterious past. As Joshua is drawn back to the farm, Nick, now a jaded literary critic, develops an intense fascination with Emilia. The two timelines come together in an unexpected and clever way, leading to a supernatural and bloody denouement. The close third-person narration stays mainly on Nick, whose mind proves unpleasant and unsettling to spend so much time inside, but this will be a feature, not a bug, to readers of grisly, literary horror that isn't afraid to show its teeth. Pedersen is sure to win fans.
