- 69,00 kr
In a very near future, a functionally illiterate America is about to collapse. But don’t tell that to poor Lenny Abramov, proud author of what may well be the world’s last diary. Despite his job at an outfit called ‘Post-Human Services’, which attempts to provide immortality for its super-rich clientele, death is clearly stalking this cholesterol-rich morsel of a man. And why shouldn’t it? Lenny’s from a different century. He TOTALLY loves books (or ‘printed, bound media artifacts’ as they’re now known), even though most of his peers find them smelly and annoying. But even more than books, Lenny loves Eunice Park, an impossibly cute and impossibly cruel twenty-four-year-old Korean-American woman who just graduated from Elderbird College with a major in ‘Images’ and a minor in ‘Assertiveness’. When riots break out in New York’s Central Park, the city’s streets are lined with National Guard tanks and patient Chinese creditors look ready to foreclose on the whole mess, Lenny vows to convince his fickle new love that in a time without standards or stability, there is still value in being a real human being.
Shteyngart (Absurdistan) presents another profane and dizzying satire, a dystopic vision of the future as convincing and, in its way, as frightening as Cormac McCarthy's The Road. It's also a pointedly old-fashioned May-December love story, complete with references to Chekhov and Tolstoy. Mired in protracted adolescence, middle-aged Lenny Abramov is obsessed with living forever (he works for an Indefinite Life Extension company), his books (an anachronism of this indeterminate future), and Eunice Park, a 20-something Korean-American. Eunice, though reluctant and often cruel, finds in Lenny a loving but needy fellow soul and a refuge from her overbearing immigrant parents. Narrating in alternate chapters Lenny through old-fashioned diary entries, Eunice through her online correspondence the pair reveal a funhouse-mirror version of contemporary America: terminally indebted to China, controlled by the singular Bipartisan Party (Big Brother as played by a cartoon otter in a cowboy hat), and consumed by the superficial. Shteyngart's earnestly struggling characters along with a flurry of running gags keep the nightmare tour of tomorrow grounded. A rich commentary on the obsessions and catastrophes of the information age and a heartbreaker worthy of its title, this is Shteyngart's best yet.