The Owl Killers
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- 85,00 kr
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- 85,00 kr
Utgivarens beskrivning
'A richly evocative page-turner ... with a disturbing final twist worthy of a master of the spine-tingler, such as Henry James' Daily Express
England, 1321. Deep in the heart of countryside lies an isolated village governed by a sinister regime of Owl Masters - theirs is a pagan world of terror and blackmail, where neighbour denounces neighbour and sin is punishable by murder.
This dark status quo is disturbed by the arrival of a house of religious women, who establish a community outside the village. Why do their crops succeed when village crops fail; their cattle survive despite the plague? But petty jealousy turns deadly when the women give refuge to a young martyr. For she dies a gruesome death after spitting the sacramental host into flames that can't burn it - what magic is this? Or is the martyr now a saint and the host a holy relic?
Accusations of witchcraft and heresy run rife while the Owl Masters rain down hellfire and torment on the women, who must look to their faith to save them from the lengthening shadow of Evil ... a shadow with predatory, terrifying talons.
Karen Maitland lives in Lincolnshire and is the author of The White Room, which won an Author's Club Best First Novel Award, and Company of Liars, published to outstanding critical acclaim in 2008.
PUBLISHERS WEEKLY
In the tiny English village of Ulewic in 1321, a struggle brews between the Owl Masters, who want to bring back pagan worship, and a group of pious Christian women, called beguines, who merely wish to be left in peace. Having suffered from floods and famine, the town takes bitter notice of the Christian women, who are continually spared. As suspicion grows, the Owl Masters find aid from an unlikely source, the village priest, who's determined to pursue the "criminal" women in order to hide his own sins. U.K. novelist Maitland's jumpy narrative is, unfortunately, a poor showcase for the fascinating conflict, and she never seems to decide whether the Owlman is demon or myth, and other loose threads are left to dangle. Still, she produces an interesting examination of an unfamiliar time and place, finding effective lures in lessons on sexism and xenophobia.
