Women and the Machine
Representations from the Spinning Wheel to the Electronic Age
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- 12,99 €
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- 12,99 €
Publisher Description
“An engaging study of the ways women and machines have been represented in art, photography, advertising, and literature.” —Arwen Palmer Mohun, University of Delaware
From sexist jokes about women drivers to such empowering icons as Amelia Earhart and Rosie the Riveter, representations of the relationship between women and modern technology in popular culture have been both demeaning and celebratory. Depictions of women as timid and fearful creatures baffled by machinery have alternated with images of them as being fully capable of technological mastery and control—and of lending sex appeal to machines as products.
In Women and the Machine, historian Julie Wosk maps the contradictory ways in which women’s interactions with—and understanding of—machinery has been defined in Western popular culture since the dawn of the Industrial Revolution. Drawing on both visual and literary sources, Wosk illuminates popular gender stereotypes that have burdened women throughout modern history while underscoring their advances in what was long considered the domain of men. Illustrated with more than 150 images, Women and the Machine reveals women rejoicing in their new liberties and technical skill even as they confront society’s ambivalence about these developments, along with male fantasies and fears.
“Engaging and entertaining . . . Using illustrations, cartoons and photographs from the past three centuries, Wosk delineates shifts in social acceptance of women’s relationship to technology . . . her work is complex, comprehensive and highly readable.” —Publishers Weekly
“Art historian Wosk analyzes the overt and covert messages in depictions of women and machines in an array of fiction and, more impressively, in some 150 visual images.” —Booklist
PUBLISHERS WEEKLY
The image of the flustered woman unable to change a tire or recognize a Phillips screwdriver is so common it's practically archetypal but then again, so is her counterpart, Rosie the Riveter. Wosk (a professor of English and art at the State University of New York, Maritime College) takes these images their place in history, literature, art and advertising and deconstructs them in this engaging and entertaining but nonpreachy feminist history. She posits that women and technology always seemed like strange bedfellows to men, and to many women, too. The world of machines, after all, historically belonged to men; women's involvement in technology signaled both an intrusion into male turf and an abandonment of the female landscape of hearth and home. Using illustrations, cartoons and photographs from the past three centuries, Wosk delineates shifts in social acceptance of women's relationship to technology. Typewriters, spinning wheels, sewing machines and household appliances are all given their due, as are bicycles, cars and airplanes. But there are intriguing asides, too, like the technology of women's corsets, bustles and hoops. How women were inveigled into factories during World War II and then lured back into the home all via the mechanics of machines and appliances is fascinating. Wosk also delves deep into the use of women to sell machines, from factory equipment to automobiles. With the sleek detail of a gift book, Wosk's history may look deceptively slight, but her work is complex, comprehensive and highly readable. Illus. and photos.
