Aliens, UFOs & the Occult: Use Your Illusion II: Symbolism in Film and Manifesting Extraterrestrials (Unabridged)
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- $12.99
Publisher Description
Aliens and UFOs are part of a hidden agenda - the occult method to bring about a new age of mankind.... This analysis is a continuation of Use Your Illusion I and describes the occult concept of alchemy, the Great Work, and the secret alien religion connected to Lucifer. The language of symbols reach into the subconscious and entertainment is the medium used to change the minds of the masses and in effect; change reality.
The realm of the fallen gods has been tapped into by the most creative minds and artists, and their fruits are displayed on the most popular alien films from Hollywood in a technique known as the Revelation of the Method.
The movies analyzed and explained by the author include:
E.T. the Extra-Terrestrial
Flight of the Navigator
Interstellar
Under the Skin
The Adventures of Sharkboy and Lavagirl in 3-D
John Carpenter’s Apocalypse Trilogy
The Thing
Prince of Darkness
In the Mouth of Madness
Alien
Prometheus
We’ll look at E.T.’s consciousness link and alchemical reconciliation of opposites. Flight of the Navigator features an underlying plot of horrific child abuse, enabled by scientists studying the mental connection of a boy to the UFO. Interstellar shows us the higher dimensions accessed by Freemasons through the black hold by Saturn. Under the Skin depicts the AI aliens feeding upon mankind as a form of sustenance. The Adventures of Sharkboy and Lavagirl in 3-D demonstrates the power of mental emanations and theosophical ancient religions. John Carpenter’s Apocalypse Trilogy shows a nihilistic future with The Thing, Prince of Darkness, and In the Mouth of Madness. We'll round things out with a look at the evolution of man in Ridley Scott's Alien and Prometheus.
“[T]here would be immediate arguments about like, well, we need to spend a lot more money on weapons systems to defend ourselves. New religions would pop up.” (Former US president Barack Obama, New York Times and The Ezra Klein Show, 6/1/2021)