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Publisher Description

For generations the Burdens were one of the wealthiest families in New York, thanks to the inherited fortune of Cornelius "The Commodore" Vanderbilt. By 1955, the year of Wendy Burden's birth, the Burdens had become a clan of overfunded, quirky and brainy, steadfastly chauvinistic, and ultimately doomed bluebloods on the verge of financial and moral decline-and were rarely seen not holding a drink.

In Dead End Gene Pool, Wendy invites listeners to meet her tragically flawed family, including an uncle with a fondness for Hitler, a grandfather who believes you can never have enough household staff, and a remarkably flatulent grandmother. At the heart of the story is Wendy's glamorous and aloof mother, who, after her husband's suicide, travels the world in search of the perfect sea and ski tan, leaving her three children in the care of a chain-smoking Scottish nanny, Fifth Avenue grandparents, and an assorted cast of long-suffering household servants (who Wendy and her brothers love to terrorize). Rife with humor, heartbreak, family intrigue, and booze, Dead End Gene Pool offers a glimpse into the fascinating world of old money and gives truth to an old maxim: The rich are different.

Biographies & Memoirs
Coleen Marlo
hr min
April 12
Tantor Audio

Customer Reviews

Bobo bolinski ,

Get it!!

Well written, sarcastic, funny, HONEST somehow. A perfect read for the summer slowdown when amongst a survey of ones problems you can honestly say "thank god at least I m not a Vanderbilt!"

eleanor k. ,

Not for me

I'm not sure how much of the problem was the writer, and how much was the reader, but I did not appreciate the merciless retelling of minute family embarrassments (for example, I did not find the author's grandmother's flatulence to be particularly entertaining). I'm sure there is a bigger story embedded in Dead End Gene Pool, about the changing expectations of wealth and privilege in post-WWII America, family silence about alcoholism and mental illness, and the ludicrous insularity of the racist and sexist privileged few. But you only catch glimpses of that story.

And Coleen Marlo's constant mispronunciations were annoying and distracting.

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