Leaving : A Novel Leaving : A Novel

Leaving : A Novel

    • 3.0 • 10 Ratings
    • $19.99

Publisher Description

Sarah and Warren's college love story ended in a single moment. Decades later, when a chance meeting brings them together, a passion ignites—threatening the foundations of the lives they've built apart. Since they parted in college, each has married, raised a family, and made a career. When they meet again, Sarah is divorced and living outside New York, while Warren is still married and living in Boston.

Seeing Warren sparks an awakening in Sarah, who feels emotionally alive for the first time in decades. Still, she hesitates to reclaim a chance at love after her painful divorce and years of framing her life around her children and her work. Warren has no such reservations: he wants to leave his marriage but can't predict how his wife and daughter will react. As their affair intensifies, Sarah and Warren must confront the moral responsibilities of their love for their families and each other.

Leaving charts a passage through loyalty and desire as it builds to a shattering conclusion. In her boldest and most powerful work to date, Roxana Robinson demonstrates her "trademark gifts as an intelligent, sensitive analyst of family life" (Wendy Smith, Chicago Tribune) in an engrossing exploration of the vows we make to one another, the tensile relationships between parents and their children, and what we owe to others and ourselves.

GENRE
Fiction
NARRATOR
HC
Hannah Choi
LANGUAGE
EN
English
LENGTH
12:01
hr min
RELEASED
2024
March 26
PUBLISHER
Highbridge Company
SIZE
586.4
MB

Customer Reviews

SD1718 ,

Narrator

I listens to the first 3 hours of this book but the monotone narrator was just awful and I couldn’t bare to finish it!
I didn’t even need to k ow how it ended bc I was falling asleep listening.
Maybe the book is better.

tura-not-happy ,

Pretentious, overwrought, overblown, and the worst narrator ever

The author took a classic premise - the forbidden love affair - and took egregious liberties with hubris-filled and obvious references to a Chapter One opera (hello Age of Innocence) and even a blatant reference to the beloved Edith Wharton classic, Age of Innocence. Instead of leaving Wharton’s classic unadulterated, this novel pretended to reimagine the story as if told by Countess Olenska (here, a mealy mouthed “Sarah”) and a Newland Archer character (the cowardly “Warren.” It was as if she was purporting to account for the time (and most drawn-out innermost thoughts) of Wharton’s characters, from the middle of Age of Innocence to what this pretentious author thought “might” have happened to Archer in the end. One of the worst books ever recommended by a manager at an independent bookstore! Wharton must be roiling in her grave!

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