Minor Feelings: An Asian American Reckoning (Unabridged)
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- $12.99
Publisher Description
NEW YORK TIMES BESTSELLER • PULITZER PRIZE FINALIST • NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • ONE OF TIME’S 100 MOST INFLUENTIAL PEOPLE • A ruthlessly honest, emotionally charged, and utterly original exploration of Asian American consciousness
“Brilliant . . . To read this book is to become more human.”—Claudia Rankine, author of Citizen
In development as a television series starring and adapted by Greta Lee • One of Time’s 10 Best Nonfiction Books of the Year • Named One of the Best Books of the Year by The New York Times, The Washington Post, NPR, New Statesman, BuzzFeed, Esquire, The New York Public Library, and Book Riot
Poet and essayist Cathy Park Hong fearlessly and provocatively blends memoir, cultural criticism, and history to expose fresh truths about racialized consciousness in America. Part memoir and part cultural criticism, this collection is vulnerable, humorous, and provocative—and its relentless and riveting pursuit of vital questions around family and friendship, art and politics, identity and individuality, will change the way you think about our world.
Binding these essays together is Hong’s theory of “minor feelings.” As the daughter of Korean immigrants, Cathy Park Hong grew up steeped in shame, suspicion, and melancholy. She would later understand that these “minor feelings” occur when American optimism contradicts your own reality—when you believe the lies you’re told about your own racial identity. Minor feelings are not small, they’re dissonant—and in their tension Hong finds the key to the questions that haunt her.
With sly humor and a poet’s searching mind, Hong uses her own story as a portal into a deeper examination of racial consciousness in America today. This intimate and devastating book traces her relationship to the English language, to shame and depression, to poetry and female friendship. A radically honest work of art, Minor Feelings forms a portrait of one Asian American psyche—and of a writer’s search to both uncover and speak the truth.
Praise for Minor Feelings
“Hong begins her new book of essays with a bang. . . .The essays wander a variegated terrain of memoir, criticism and polemic, oscillating between smooth proclamations of certainty and twitches of self-doubt. . . . Minor Feelings is studded with moments [of] candor and dark humor shot through with glittering self-awareness.”—The New York Times
“Hong uses her own experiences as a jumping off point to examine race and emotion in the United States.”—Newsweek
“Powerful . . . [Hong] brings together memoiristic personal essay and reflection, historical accounts and modern reporting, and other works of art and writing, in order to amplify a multitude of voices and capture Asian America as a collection of contradictions. She does so with sharp wit and radical transparency.”—Salon
APPLE BOOKS REVIEW
In her brilliant first essay collection, poet Cathy Park Hong, the child of Korean immigrants, shifts seamlessly between her personal experiences and big-picture social observations. Minor Feelings digs into issues like racial identity, self-hatred, and ethnic stereotyping with a lyrical and sensitive touch. Hong’s also got a wickedly sarcastic sense of humor that’s amplified by her breezy, matter-of-fact narration. (It’s no surprise that she says her approach to combatting racism is inspired by Richard Pryor’s defiant stand-up comedy.) Whether she’s exploring sweeping topics like America’s history of institutional anti-Asian racism or Asian artists’ consistent lack of representation or zeroing in on her own experiences with cultural bias or the time her therapist broke up with her, Hong’s intimate delivery lets us live in her world for a while. If your world is already like hers, you’ll feel seen; if it isn’t, well, you’ll see.
Customer Reviews
Racial Reckoning
This memoir cuts a brutal and candid accounting of racial history, class division, and self reckoning in a complex American tapestry. It also deals unabashedly with the legacy of violence and race, particularly how violence against non-whites is like an erasure of minority existence.
It also covers the intersectionality of race, religion, art, and culture from unique perspectives. The candidness and vulnerability that Cathy Park Hong shows is refreshing and inspiring. It is also a reminder that we cannot build trust in these intersectional relationships without a foundation of truth.
Lastly, the essays also speak on the blinding and recruitment of Asian Americans as foot soldiers for the white cause. How the capitalist consumption and model minority myths keep Asian Americans from finding solidarity with their fellow minorities. This one was a moving and challenging perspective on history and race.