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Publisher Description

"I loved every last word! Beautiful, heartfelt, consuming--I couldn't put it down. There's pure magic in J. A. Redmerski's pen." --- KATY EVANS, New York Times bestselling author of the REAL series

From the New York Times bestselling author of The Edge of Never and The Edge of Always


Brayelle Bates has always been a force of nature. Even as a child, Bray's wild and carefree spirit intimidated everyone around her. The only person who's ever truly understood her is her best friend, Elias Kline. Though every fiber of her being wants to stay with Elias forever, Bray can't bear the thought of him discovering her agonizing history. She's done everything she can to keep him at arm's length, including moving away. But their undying bond was too strong a pull to deny, and Bray couldn't survive without him. Now she's back home with Elias, and things have never felt more right--until one night changes everything.

Elias vowed never to be separated from Bray again. So when she decides to flee in a desperate attempt to escape her fate, Elias knows he must go with her. As the two try to make the most of their circumstance, taking up with a reckless group of new friends, Elias soon realizes there's a darkness driving Bray he can't ignore. Now in order to save her, he'll have to convince Bray to accept the consequences of their reality--even if it means losing her.

(95,000 words)

New Adult Romance

Chelsea Hatfield
hr min
September 2
Hachette Audio

Customer Reviews

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AudoBook Review: Stars: Overall: 4 Narration 4 Story 4

AudoBook Review:
Stars: Overall: 4 Narration 4 Story 4

I wasn’t expecting quite this emotional a journey when I started this book, but J.A. Redmerski doesn’t hold back: life isn’t always pretty or straightforward, and we live every ugly, convoluted twist along the way. Intentions don’t always bring us a happy ending, and some people are simply too broken to fix, and are best left alone.

Elias and Bray met as children, and instantly were the best of friends. Throughout everything, Elias stood by Bray’s side offering comfort, friendship, loyalty and stability. Something that was missing in her life. A greatly troubled soul, even as a child, Bray is one of those wounded people who never actually step forward to fix themselves, preferring to wait for someone else to complete them and fill the gaps.

Emotionally trying, I was so angry with Bray and her callous disregard of the man who tried to be by her side: just the fact that Elias gave her another chance after she disappeared without a word or trace for years should have proven his character to her. But, she’s so unable to make a good choice, it’s like she’s programmed to pick the worst option. Always. Now, I could understand her trust issues, but Elias has been there for her: for him, the loyalty earned in childhood equates to his almost unconditional acceptance and willingness to forgive her anything, and he does so repeatedly. Yet, she can’t seem to incorporate that into her reactions.

Elias too, for me, became frustrating. While you can’t help who you love, you can make choices that won’t run your heart through a meat grinder, repeatedly. Just because you love someone doesn’t mean that those words or every moment you stand by them will help them to learn to love and forgive themselves. He has so much to offer the right person, and I don’t see that as Bray, no matter HOW much he may want her.

This is a beautifully depicted and emotionally charged relationship that is everything that a relationship should not be: one-sided, laden with deception and disbelief, heartache and horrendous behavior. It is so easy to be the one who ‘gives more’ in a relationship, Redmerski just elaborates on that issue in the extreme version: neither are ever truly settled or happy, and for Elias, I even actually held out hope to the end that Bray would realize what she had.

Narration in this story is provided by Chelsea Hatfield and Douglas Berger. I will say that the use of two narrators worked well, as they were able to play off one another, carefully presenting the words on the page. Hatfield managed to incorporate the hesitancy, caution and self-absorbed moments of reckless disregard that Bray displays regularly into her performance: there is that ‘tone’ that we all know when someone is absorbed in their own purpose, but responding to you. This sense of disregard of the personhood of Elias was a frequent feel from Bray, and Hatfield elucidated those moments beautifully. Douglas Berger hit all of the right notes with Elias, the frustration, desire, need and the utterly confused moments that followed every bad act, along with the “I am being patient and explaining for the millionth time” background tone of utter frustration with Bray’s inability to believe in his love for her. I can only expect that this performance was exhausting for both narrators, they hit every note perfectly and the voices were nuanced and laden with the often dark and despairing aura surrounding this story overall.

Redmerski did not write a happy fluffy skip in to the sunset story here: deeply emotional, twisting and turning that keeps readers and listeners at the edge of discomfort, this was a wonderful listen.

I received an AudioBook copy of the title from Hachette Audio for purpose of honest review. I was not compensated for this review: all conclusions are my own responsibility.