The Number Ones The Number Ones

The Number Ones

    • 3.3 • 3 Ratings
    • $19.99

Publisher Description

Beloved music critic Tom Breihan's fascinating narrative of the history of popular music through the lens of game-changing #1 singles from the Billboard Hot 100.
When Tom Breihan launched his Stereogum column in early 2018, “The Number Ones”—a space in which he has been writing about every #1 hit in the history of the Billboard Hot 100, in chronological order—he figured he’d post capsule-size reviews for each song. But there was so much more to uncover. The column has taken on a life of its own, sparking online debate and occasional death threats.

The Billboard Hot 100 began in 1958, and after four years of posting the column, Breihan is still in the early aughts. But readers no longer have to wait for his brilliant synthesis of what the history of #1s has meant to music and our culture. In The Number Ones, Breihan writes about twenty pivotal #1s throughout chart history, revealing a remarkably fluid and connected story of music that is as entertaining as it is enlightening.

The Numbers Ones features the greatest pop artists of all time, from the Brill Building songwriters to the Beatles and the Beach Boys; from Motown to Michael Jackson, Prince, and Mariah Carey; and from the digital revolution to the K-pop system. Breihan also ponders great artists who have never hit the top spot, like Bob Dylan, Bruce Springsteen, and James Brown. Breihan illuminates what makes indelible ear candy across the decades—including dance crazes, recording innovations, television phenomena, disco, AOR, MTV, rap, compact discs, mp3s, social media, memes, and much more—leaving readers to wonder what could possibly happen next.

GENRE
Nonfiction
NARRATOR
RS
Ray Stoney
LANGUAGE
EN
English
LENGTH
11:10
hr min
RELEASED
2022
November 15
PUBLISHER
Hachette Audio
SIZE
523.4
MB

Customer Reviews

iosnopes ,

Hachette? What happened?

First the good, then the bad and the ugly.

If you are interested in popular music, you really want to read “The Umber Ones.” It’s an informative joy. The author’s ability to track cultural, technological, and thematic shifts is seamless. He understands and explains large movements or trends but his subtle insights—sometimes simply a phrase that makes you appreciate a moment in a song and an artist’s choice—are brilliant. It is one of the finest music books I have read.

All of that said, this has to be the worst audiobook I have encountered since the mid 1980s. I can’t imagine an editor or supervisor or quality control department would allow this to exist.

The gentleman reading the book either is not a native English speaker or he doesn’t understand much of what he’s reading. He placed the stress incorrectly on many words—especially those that have three or more syllables—so you end up trying to figure out what he’s saying rather than enjoying the book. It’s a bit like those videos that read to you in a robotic voice and say all the right words in the right order but don’t know what they are saying. It might be funny or manageable for three minutes; it’s painful to listen to for an extended time.

Again, I can’t believe this made it through an editing process. Do not buy this audiobook.