The Overstory unfolds in concentric rings of interlocking fable that range from antebellum New York to the late 20th-century Timber Wars of the Pacific Northwest and beyond.
An air force loadmaster in the Vietnam War is shot out of the sky, then saved by falling into a banyan. An artist inherits 100 years of photographic portraits, all of the same doomed American chestnut. A hard-partying undergraduate in the late 1980s electrocutes herself, dies, and is sent back into life by creatures of air and light. A hearing- and speech-impaired scientist discovers that trees are communicating with one another.
These and five other strangers, each summoned in different ways by trees, are brought together in a last and violent stand to save the continent's few remaining acres of virgin forest. There is a world alongside ours—vast, slow, interconnected, resourceful, magnificently inventive, and almost invisible to us. This is the story of a handful of people who learn how to see that world and who are drawn up into its unfolding catastrophe.
Good book, narrator not so much
Didn’t like the narrator. Maybe she just didn’t fit this book for me.
Sadly, I can’t get through this. I know there is beautiful storytelling here, but this woman ruins it with her obnoxious voices and accents. It feels condescending. Skip the audio version and just read it.
Cringe-worthy narrating. Great book
The book is wonderful. The narrator is tone deaf. Cringe inducing accents ~ Chinese (terrible), Indian (really, even now?), children (need I say more?), a deaf person (no, really? really?). The narrator literally tries to imitate the sound of a deaf person. Incredibly offensive.
But. The writing is truly gorgeous. The narrator manages to turn the beautiful prose into sap with hammy emotion and truly bizarre accents. If someone would just have read the words and let them speak for themselves.