The Widow's House The Widow's House

The Widow's House

    • 4.1 • 22 Ratings
    • $19.99

    • $19.99

Publisher Description

This chilling novel from the bestselling, award-winning author of The Lake of Dead Languages blends the gothic allure of Daphne DuMaurier’s Rebecca and the crazed undertones of Charlotte Perkins Gilman’s The Yellow Wallpaper with the twisty, contemporary edge of A.S.A. Harrison’s The Silent Wife—a harrowing tale of psychological suspense set in New York’s Hudson Valley.

When Jess and Clare Martin move from Williamsburg, Brooklyn, to their former college town in the Hudson River valley, they are hoping for rejuvenation—of their marriage, their savings, and Jess's writing career.

They take a caretaker's job at Riven House, a crumbling estate and the home of their old college writing professor. While Clare once had dreams of being a writer, those plans fell by the wayside when Jess made a big, splashy literary debut in their twenties. It's been years, now, since his first novel. The advance has long been spent. Clare's hope is that the pastoral beauty and nostalgia of the Hudson Valley will offer some inspiration.

But their new life isn't all quaint town libraries and fragrant apple orchards. There is a haunting pall that hangs over Riven House like a funeral veil. Something is just not right. Soon, Clare begins to hear babies crying at night, see strange figures in fog at the edge of their property. Diving into the history of the area, she realizes that Riven House has a dark and anguished past. And whatever this thing is—this menacing force that destroys the inhabitants of the estate—it seems to be after Clare next…

GENRE
Mysteries & Thrillers
NARRATOR
CC
Cassandra Campbell
LANGUAGE
EN
English
LENGTH
10:50
hr min
RELEASED
2017
March 7
PUBLISHER
HarperAudio
SIZE
446.1
MB

Customer Reviews

stillpeggy ,

Twists and Turns

Brilliant timing with plotting - fun, quick read

PrettyMinniee ,

This was written in 2017?

This would have been a lot more enjoyable without the gender stereotypes, sexism, and misogyny at every turn. There’s also not a single ounce of diversity here. Also, you can’t forget the part where the main character maintains interest in her ex despite finding out that they’re cousins. Definitely gives 1900’s more than anything else. It’s also painfully predictable at times.

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