Comparative Drama

Books

Staging a New Literary History: Suzan-Lori Parks's Venus, In the Blood, And Fucking A. Staging a New Literary History: Suzan-Lori Parks's Venus, In the Blood, And Fucking A.
Staging a New Literary History: Suzan-Lori Parks's Venus, In the Blood, And Fucking A.
2008
"the End of Nigerian History": Wole Soyinka and Yoruba Historiography. "the End of Nigerian History": Wole Soyinka and Yoruba Historiography.
"the End of Nigerian History": Wole Soyinka and Yoruba Historiography.
2008
Playing for Time (And Playing with Time) in Tom Stoppard's Arcadia. Playing for Time (And Playing with Time) in Tom Stoppard's Arcadia.
Playing for Time (And Playing with Time) in Tom Stoppard's Arcadia.
2005
Extending the Breaks: Fires in the Mirror in the Context of Hip-Hop Structure, Style, And Culture. Extending the Breaks: Fires in the Mirror in the Context of Hip-Hop Structure, Style, And Culture.
Extending the Breaks: Fires in the Mirror in the Context of Hip-Hop Structure, Style, And Culture.
2003
Goodnight Desdemona (Good Morning Juliet): From Shakespearean Tragedy to Postmodern Satyr Play. Goodnight Desdemona (Good Morning Juliet): From Shakespearean Tragedy to Postmodern Satyr Play.
Goodnight Desdemona (Good Morning Juliet): From Shakespearean Tragedy to Postmodern Satyr Play.
2003
Tom Stoppard and "Postmodern Science": Normalizing Radical Epistemologies in Hapgood and Arcadia. Tom Stoppard and "Postmodern Science": Normalizing Radical Epistemologies in Hapgood and Arcadia.
Tom Stoppard and "Postmodern Science": Normalizing Radical Epistemologies in Hapgood and Arcadia.
2003