A Singular Hostage
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Publisher Description
In a land of exotic splendor, a young Englishwoman finds herself guardian of an orphan child believed by a dying maharajah to be endowed with magical gifts. It is a role that will take her on a perilous journey into a kingdom’s walled city to protect a child she doesn’t know from a culture she doesn’t understand...
A Singular Hostage
The year is 1838. Mariana Givens, a spirited young woman of twenty, has been sent to India to find a suitable husband. Traveling as a translator, she joins the entourage of Lord Auckland, the British Governor-General, as he journeys across India with an army ten thousand strong to meet the fabled Ranjit Singh, Maharajah of the Punjab.
Eager young officers compete for Mariana’s favor, but it is with India that she falls in love: the baggage elephants tramping through country vast and wild; the scent of exotic foods at remote campsites; the enigmatic tutor who is her guide to native languages and ways. Lord Auckland must forge an alliance with Ranjit Singh that will deliver Afghanistan into British control, but as he negotiates his crucial treaty, Mariana is drawn into a perilous conspiracy surrounding the one-eyed Maharajah’s baby hostage--a child of mystical repute named Saboor.
PUBLISHERS WEEKLY
What's a Victorian girl to do? Twenty years old, not quite beautiful, more interested in military history than in conventional female doings, Mariana Givens sets off for India with Gov.-Gen. Lord Auckland's enormous party in hopes of finding a husband. Several eligible British officers are ready to propose, but Mariana would rather study Urdu with wise Munshi Sahib or hang out with the elephants. The officers are weepy or large-eared, except for Harry Fitzgerald, who turns out not to be eligible, after all. It's the eponymous hostage who steals her heart: Saboor, a luminous infant who was kidnapped by the ailing, one-eyed Maharajah Ranjit Singh, ruler of the Punjab, whom Lord Auckland is on his way to meet. After Saboor's mother is poisoned, Mariana is readily enlisted to return Saboor to his father, Hassan Sahib. Will she come to love Hassan as much as she loves Saboor? Although the ending is inconclusive, suggesting a sequel (one is in the works; called A Beggar at the Gate, it will be published in 2003), Mariana is unlikely to return to flower-arranging in Sussex. Sometimes lyrical and zippy, sometimes predictable and plodding, this richly populated novel is notable for an odd combination of strengths: a compelling mysticism, a convincing historicity and a flare for slapstick comedy sending up both the Indian and British patriarchies. Old-time Olympia Press readers will warm to the hair-waxing scene as Mariana is prepared for a sham (or is it?) wedding to Hassan.
