A Country for Dying
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4.0 • 2 Ratings
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- $10.99
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- $10.99
Publisher Description
An exquisite novel of North Africans in Paris by "one of the most original and necessary voices in world literature"
WINNER OF THE 2021 PEN TRANSLATION PRIZE
Paris, Summer 2010.
Zahira is 40 years old, Moroccan, a prostitute, traumatized by her father's suicide decades prior, and in love with a man who no longer loves her.
Zannouba, Zahira's friend and protege, formerly known as Aziz, prepares for gender confirmation surgery and reflects on the reoccuring trauma of loss, including the loss of her pre-transition male persona.
Mojtaba is a gay Iranian revolutionary who, having fled to Paris, seeks refuge with Zahira for the month of Ramadan.
Meanwhile, Allal, Zahira's first love back in Morocco, travels to Paris to find Zahira.
Through swirling, perpendicular narratives, A Country for Dying follows the inner lives of emigrants as they contend with the space between their dreams and their realities, a schism of a postcolonial world where, as Taïa writes, "So many people find themselves in the same situation. It is our destiny: To pay with our bodies for other people's future."
PUBLISHERS WEEKLY
Immigrants in Paris seek political, economic, and sexual refuge in Ta a's heart-wrenching tale of postcolonial identity crisis (after Infidels). Zahira, a 45-year-old prostitute, is haunted by memories of her father's suicide in Morocco when she was a child, and of Allal, a possessive Moroccan who loved her decades earlier. In Paris, Zahira looks out for an Algerian prot g , Zannouba, on the eve of Zannouba's sex reassignment surgery, and Mojtaba, a gay Iranian dissident, whose innocence awakens Zahira's maternal instincts. For Zahira and others, solace eludes them in the form of lost or unrequited love, a theme Ta a distills in a nested story of Zahira's vanished aunt, Zineb. Enlisted by the French to service soldiers in 1950s Indochina, Zineb is left adrift between the family she's left behind and a love she can only sell. Ta a's blunt style is shot through with an immediacy accenting the high stakes for those chased across borders and running from their own pasts ("You thought you had fled our world," says Allal). But Zahira is not free, and Allal has not forgotten her; he is coming now to Paris, planning to kill her. In the churning gears of this compact, deeply moving novel, crises of identity prove more solvable than those of the heart.
