From the critically acclaimed, bestselling author of Birdsong, new fiction about love and war—five transporting stories and five unforgettable lives, linked across centuries.
In Second World War Poland, a young prisoner closes his eyes and pictures going to bat on a sunlit English cricket ground.
Across the yard of a Victorian poorhouse, a man is too ashamed to acknowledge the son he gave away.
In a 19th-century French village, an old servant understands—suddenly and with awe—the meaning of the Bible story her master is reading to her.
On a summer evening in the Catskills in 1971, a skinny girl steps out of a Chevy with a guitar and with a song that will send shivers through her listeners' skulls.
A few years from now, in Italy, a gifted scientist discovers links between time and the human brain and between her lover's novel and his life.
Throughout the five masterpieces of fiction that make up A Possible Life, exquisitely drawn and unforgettable characters risk their bodies, hearts and minds in pursuit of the manna of human connection. Between soldier and lover, parent and child, servant and master, and artist and muse, important pleasures and pains are born of love, separations and missed opportunities. These interactions—whether successful or not—also affect the long trajectories of characters' lives.
Provocative and profound, Sebastian Faulks's dazzling new novel journeys across continents and centuries not only to entertain with superb old-fashioned storytelling but to show that occasions of understanding between humans are the one thing that defines us—and that those moments, however fluid, are the one thing that endures.
In this masterful book, Faulks links the stories of five disparate lives into a long meditation on the intersection of fate and free will. Five discrete novellas range from 1800s France to Italy in 2029, examining how choices, impulses, and luck (both good and bad) shape lives: into the first, Faulks packs virtually a whole novel; in 1938, Geoffrey Talbot, a undistinguished prep school teacher, confronts the reality of the Holocaust in occupied France by going undercover in a concentration camp. In the middle of the 19th century, in England, seven-year-old Billy Webb's destitute parents ship him off to the workhouse, where in Dickensian style he grows up struggling through low-wage jobs; its blunt first-person narrator creates a vivid character in Billy. Fifteen years into the future, an accident reveals insights into "raised human consciousness," but Italian scientist Elena Duranti is still stymied by love, lending this novella a melancholic tone. Jeanne, a once-orphaned servant "said to be the most ignorant person" in her village in 1820s rural France, watches her family unravel with a wiser eye than they suspect; the novella's broad strokes and coy narration create a fablelike quality. The final novella, about Anya King, a singer in the Joni Mitchell mode, is narrated by her lover and collaborator, Jack, in America in the early 1970s. Stirring descriptions of the music business of that era and of Anya's own music reveal the seductive talent that led Jack to junk his own life in favor of helping her craft her masterpiece. What Faulks (Birdsong) risks sound twee and clever, and not unlike what David Mitchell did in Cloud Atlas, but this book transcends pat tropes through the beauty and clarity of Faulks's prose. Each world is drawn with precision, creating widely varied stories that are intensely absorbing, with language flowing and eddying to suit each one. Though there are subtle connections, characters' lives never cross; they are alive in their own worlds. Faulks resists assembling his parts into a thumping moral; his book is both bigger and less ambitious than that, a contemplation of human existence on the individual level. Highly recommended.